Henry Taylor: B Side
Simpson, Bennett; Coleman, Wanda; Davis, Karon; Gaines, Charles; Holiday, Harmony; Kaufman, Bob; Price, Walter; Stark, Frances; Taylor, Henry; Walker, Hamza
Language: English
Published by The Museum of Contemporary Art, Los Angeles, 2021
- Hardcover
- Used
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.Exquisite Corpse Booksellers
AbeBooks seller since April 4, 2006
Condition: Used - Near fine
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Add to basketItem description from seller
240 pages 191 illustrations in color. Minor soiling to the canvas spine and boards. Edited by Bennett Simpson. Foreword by Johanna Burton. Published on the occasion of the exhibition from The Museum of Contemporary Art, Los Angeles, CA November 6, 2022-April 30, 2023. Selected Exhibition History. Selected Bibliography. Exhibition Checklist.
Seller Inventory # 030654
- Title
- Henry Taylor: B Side
- Author
- Simpson, Bennett; Coleman, Wanda; Davis, Karon; Gaines, Charles; Holiday, Harmony; Kaufman, Bob; Price, Walter; Stark, Frances; Taylor, Henry; Walker, Hamza
- Publisher
- The Museum of Contemporary Art, Los Angeles
- Publication year
- 2021
- Condition
- Near Fine
- Dust jacket
- No Jacket, As Issued
- Book Type
- Book
- Binding
- Cloth
- Language
- English
- ISBN 10
- 163681056X
- ISBN 13
- 9781636810560
- Edition
- First American Edition.
The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America
Published with The Museum of Contemporary Art, Los Angeles.
Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux―populated by friends, family members, strangers on the street, athletic stars and entertainers―display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.
Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.
"Synopsis" may belong to another edition of this title.
Exquisite Corpse Booksellers
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