Handbook of Japanese Media and Popular Culture in Transition
Language: English
Published by Taylor and Francis, 2025
- Softcover
- New

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Seller Inventory # L0-9781041180685
- Title
- Handbook of Japanese Media and Popular Culture in Transition
- Publisher
- Taylor and Francis
- Publication year
- 2025
- Condition
- New
- Binding
- PAP
- Language
- English
- ISBN 10
- 1041180683
- ISBN 13
- 9781041180685
- Item weight
- 550 grams
The Handbook of Japanese Media and Popular Culture in Transition brings together new research and perspectives on popular media phenomena, as well as shining a spotlight on texts that are less well known or studied. Organized into five thematic sections, the chapters span a diverse range of cultural genres, including contemporary film and television, postwar cinema, advertising, popular fiction, men’s magazines, manga and anime, karaoke and digital media. They address issues critical to contemporary Japanese society: the politicization of history, authenticity and representation, constructions of identity, trauma and social disaffection, intersectionality and trans/nationalism. Drawing on methods and approaches from a range of disciplines, the chapters make explicit the interconnections between these areas of research and map out possible trajectories for future inquiry. As such, the handbook will be of value to both novice scholars and seasoned researchers, working within and/or beyond the Japanese media studies remit.
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About the Author
FDr Forum Mithani is a British Academy Postdoctoral Fellow based at Cardiff University. Recent publications include the (co-edited) Handbook of Japanese Media and Popular Culture in Transition and “(De)Constructing Nostalgic Myths of the Mother in Japanese Drama Woman” (SERIES 5:2). Griseldis Kirsch is Reader in Contemporary Japanese Culture at SOAS University of London. She is the author of Contemporary Sino-Japanese Relations on Screen. A History: 1989-2005 (Bloomsbury Academic, 2015) and co-editor of the volume Assembling Japan: Technology, Modernity and Global Culture (Peter Lang, 2015). Her research interests include nationalism, identity and memory in Japanese screen media and she has published widely on these topics. Marcos Centeno-Martin is Lecturer in Media Studies at Universitat de València and Honorary Research Fellow in Japanese Studies at Birkbeck, University of London, where he has been the Japanese program director. Before that, Centeno was Lecturer in Film Studies in the Department of Japan and Korea at SOAS (London) where he convened the MA “Global Cinemas and the Transcultural.” Centeno was also Guest Lecturer at Nanzan University in Nagoya and Ochanomizu University, and Research Associate at Waseda University and visiting researcher at Université Sorbonne Nouvelle-Paris 3 and Goethe Universität Frankfurt. His research interests revolve around Japanese documentary film, particularly issues related to memory and representation of minorities (mainly the Ainu people), diversity and transculturality in Japan. His research project “Japanese Transna_x0002_tional Cinema” was funded by several institutions including the Sasakawa and Daiwa foundations, Waseda University and the Japanese Ministry of Education. Jennifer Coates is Senior Lecturer in Japanese Studies at the School of East Asian Studies, University of Sheffield. She is the author of Making Icons: Repetition and the Female Im_x0002_age in Japanese Cinema, 1945–1964 (Hong Kong University Press, 2016) and co-editor of Japanese Visual Media: Politicizing the Screen (with Eyal Ben-Ari, Routledge, 2021) and The Routledge Companion to Gender and Japanese Culture (with Lucy Fraser and Mark Pendleton, Routledge, 2019). Her current ethnographic research focuses on early postwar film audiences in Japan. Rayna Denison is Professor of Film and Digital Arts at the University of Bristol, with a focus on contemporary Japanese animation and cinema. Her publications include the monograph Anime: A Critical Introduction and the edited collection Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. She has also published a wide range of co_x0002_edited collections and special issues of journals, as well as having publications in leading journals including Cinema Journal, Japan Forum, Animation: An Interdisciplinary Jour_x0002_nal and the Velvet Light Tra Lyle De Souza is a Lecturer in the Department of English Language and Literature at Kyoto Notre Dame University and a JSPS KAKENHI Researcher at the Institute for Research in Humanities, Kyoto University. His current research project, “The Literature of the Japa_x0002_nese Diaspora: Identity Beyond Japan,” combines his interdisciplinary expertise across the social sciences (Japanese Studies, sociology) and humanities (literary theory, cultural studies). His work aims to improve understanding of minority identities through analysis of processes of racialization. Irene González-López is Lecturer in Japanese Studies at Birkbeck, University of London, and Research Associate of the Visual and Material Culture Research Centre at Kingston University. Before pursuing a PhD in Film Studies at SOAS (University of London), Irene lived in Japan for eight years. Her research spans Japanese creative industries, with a spe_x0002_cial focus on postwar cinema and issues related to gender and sexuality, both in front of and behind the camera. Irene’s publications include Tanaka Kinuyo: Nation, Stardom and Female Subjectivity (co-editor together with Michael Smith, Edinburgh University Press, 2018); “Marketing the panpan in Japanese popular culture: youth, sexuality, and power” (2018); “In Search of the Authentic Japanese Taste: Solitary Gourmet and Cultural Tourism” (2018); and “The Profound Desire of the Goddess: Sexuality and Politics in The Insect Woman” (2017). Hilaria Gössmann is Professor for Japanese Studies at the University of Trier, Germany. The focus of her research and teaching is modern literature, television dramas and films. She has edited a book on gender and media in Japan and Germany together with Mu_x0002_ramatsu Yasuko (in Japanese: Media ga tsukuru gend?. Nichidoku no danjo kazokuz? o yomitoku, Shiny?sha, 1998) and a book on the Fukushima nuclear accident in media, popular culture and literature (in German: Schriften der Gesellschaft für Japanforschung, Band 4: Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur, Gesellschaft für Japanforschung eV, 2021). Laurence Green is a 3rd year PhD Student at SOAS University of London. His current research focuses on the use of music within the Japanese animation industry, and his writ_x0002_ing has previously been published in both NEO Magazine and the Japan Society Review, as well as in the recent edited volume Japan beyond Its Borders: Transnational Approaches to Film and Media (Seibunsha, 2020). He is currently serving as Managing Editor of the journal Japan Forum and is a recipient of the Meiji Jingu Japanese Studies Research Scholarship, Japan Research Centre Fuwaku Fund and the British Association of Japanese Studies John Crump Studentship. Christopher Hood is a Reader in Japanese Studies at Cardiff University. He is the author of the books, Japan: The Basics; Osutaka: A Chronicle of Loss in the World’s Largest Single Plane Crash; Dealing with Disaster in Japan: Responses to the Flight JL123 Crash; Shink_x0002_ansen: From Bullet Train to Symbol of Modern Japan and Education Reform in Japan: Na_x0002_kasone’s Legacy. Connected to the chapter in this collection, he is the author of “Disaster Narratives by Design: Is Japan Different?” (International Journal of Mass Emergencies and Disasters, August 2020). He is also the author of the novels Hijacking Japan, Tokyo 20/20 Vision and FOUR. Homepage: http://hoodcp.wordpress.com Twitter: @HoodCP Hiroyuki Kitaura is Associate Professor of Film Studies in the Faculty of International Liberal Arts at Kaichi International University, Japan. He is the author of Terebi seich?ki no Nihon eiga: Media kan k?sh? no naka no dorama (Japanese movies during the growth pe_x0002_riod of television: The dramas in media interactions, Nagoya Daigaku Shuppankai, 2018) and has written extensively in the area of Japanese film and television history Antonio Loriguillo-López is Assistant Professor at the Universitat Jaume I (Spain). He teaches courses on Audiovisual Communication, Video Game Design and Development, as well as the Master’s Degree in New Trends and Innovation Processes in Communication. He is a graduate of the first class of the Kadokawa Media Mix Summer Program organized by the University of Tokyo (2014). His interests focus on post-classical story_x0002_telling in contemporary audiovisuals and Japanese commercial animation. He is the author, editor and co-editor of several books and also author of scientific articles related to these topics in journals such as Animation, Quarterly Review of Film and Video, Creative Industries Journal and International Journal on Media Management. Artur Lozano-Méndez has a PhD in Translation and Intercultural Studies and is a Serra Húnter Lecturer at the Department of Translation and Interpretation and East Asian Studies at Universitat Autònoma de Barcelona. He teaches about Japanese politics, philosophy, popular culture and social issues in Japan. His research is focused on those same areas as a member of the InterAsia research group (UAB). His publications include: “Techno_x0002_Orientalism in East-Asian Contexts: Reiteration, Diversification, Adaptation” (chapter in Counterpoints: Edward Said’s Legacy, Cambridge Scholars Publishing, 2010); editor of El Japón Contemporáneo. Una aproximación desde los Estudios Culturales (Bellaterra, 2016); “Mamoru Oshii’s Exploration of the Potentialities of Consciousness in a Globalised Capitalist Network” (in ejcjs – Electronic Journal of Contemporary Japanese Studies 15:3, 2015); co-editor (with Blai Guarné and Dolores Martinez) of Persistently Postwar: Media and the Politics of Memory in Japan (Berghahn Books, 2019). Ronald Saladin is an Assistant Professor of Japanese Studies at the University of Trier, Germany. In 2019, he published his monograph, Young Men and Masculinities in Japanese Media―(Un-)Conscious Hegemony, which is a qualitative and quantitative analysis of Japanese men’s magazines, with Palgrave Macmillan. In his research and teaching, he focuses on media, contemporary literature, gender and popular culture of Japan. Elisabeth Scherer is a Japanese studies researcher and e-learning professional at Heinrich Heine University Düsseldorf. Her areas of research interest include popular culture, intermedia, rituals and gender studies. She is the editor of Reconsidering the Cultural Significance of NHK’s Morning Dramas (special issue of the East Asian Journal of Popular Culture, 2019). Elisabeth Scherer is a Japanese studies researcher and e-learning professional at Heinrich Heine University Düsseldorf. Her areas of research interest include popular culture, intermedia, rituals and gender studies. She is the editor of Reconsidering the Cultural Significance of NHK’s Morning Dramas (special issue of the East Asian Journal of Popular Culture, 2019) Julia Stolyar is a PhD researcher at SOAS, University of London. Her research interests in_x0002_clude transnational media flows between Korea and Japan and transnational television more broadly, exploring notions of identity and national identity and the creation and circulation of national myths through television. Xinyu (Promio) Wang is an assistant professor in Cultural Studies at the Department of Contemporary English, Ibaraki Christian University, Japan. Xin’s research focuses on the transnational socio-cultural practices of Chinese digital migrants and Chinese queer digital migrants in the UK and Japan. Xin’s latest publications include “Digital Technol_x0002_ogy, Physical Spaces, and the Notion of Belonging among Chinese Migrants in Japan” in Asiascape: Digital Asia, 7 (2020) and “Chinese Migrants’ Sense of Belonging in Japan: Be_x0002_tween Digital and Physical Spaces” in Migration Research Series No. 61 [online] Geneva: International Organization for Migration. James White completed his PhD at the School of East Asian Studies at the University of Sheffield in 2019 with ESRC and Japan Foundation support. His thesis explored intellectual and critical definitions of gender in Japanese beer advertising across the postwar era. An initial year on the JET program morphed into eight years teaching across the archipelago pursued by earthquakes. During this time, he completed an MA in Japanese Language and Society from the University of Sheffield, followed by an extra MA (SOAS) in Japanese Studies. He is particularly interested in visual culture and narratives of gender, alcohol consumption, and identity.
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PBShop.store US
Wood Dale, IL, U.S.A.
AbeBooks seller since April 7, 2005
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Selling books and other items
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vital interests of the data subject; and/or
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We may also use your personal data in the following situations, which are likely to be far less common:
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where it is needed in the public interest or for official purposes.
DISCLOSURE:
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RETENTION PERIOD:
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Our people
COLLECTION:
We will collect names, addresses, contact details, education and employment history, identity and other background checks (which may include appropriate criminal and financial checks and confirmation of the right to work in the UK), marital status and information on next of kin and dependents, financial information (such as bank details and NI numbers), date of birth, gender, a copy of your passport and driving licence, performance information and compensation history, recruitment information (including references), salary, benefits, pension and annual leave information, disciplinary and grievance information, photographs, information about your use of our information and communications systems and CCTV footage or other information obtained through electronic means.
We may collect and use special categories of personal data as required in the carrying out of obligations and exercising specific rights of us or the data subject in the field of employment. This may include information relating to matters such as health, racial origin, religious belief and offences or alleged offences.
Personal data may be collected from you during the selection process (for example via your application form and CV) and during your employment (including holiday forms, expense claims, performance reviews, any disciplinary or grievance processes), or from third parties, including referees, health service providers, background check providers.
USE:
Personal data of our people will be used for HR administration and management, both in respect of the selection of people to work for us (including suitability, eligibility and/or fitness to work), and those who do work for us, to include learning and development, disciplinary and security (of people, offices and data) requirements, providing and liaising with benefits providers, business management and planning (including accounting and auditing), paying you and dealing with tax and NI deductions, assessing and deciding on salary reviews and compensation, conducting performance reviews and managing performance, dealing with legal disputes involving you or others, preventing fraud, monitoring your use of our information and communications systems, ensuring compliance with our policies, and equal opportunities monitoring.
We will only use your personal data when the law allows us to. Most commonly, we will use your personal data in the following circumstances:
In performance of a contract with you; and/or
compliance with a legal obligation; and/or
vital interests of the data subject; and/or
where it is necessary for our legitimate interests (or those of a third party) and your interests and fundamental rights do not override those interests.
We may also use your personal data in the following situations, which are likely to be less common:
where we need to protect your interests (or someone else’s interests);
where it is needed in the public interest or for official purposes.
In respect of all disclosures of personal data, we will only share the personal information which is necessary for the particular purpose for which it is provided, or where we have another legitimate interest in doing so, and we will ensure that the personal data is appropriately protected.
In respect of special categories of personal data, we may process this in the following circumstances:
in limited circumstances with your explicit written consent; and/or
where we need to carry out our legal obligations and in line with our policies; and/or
where it is needed in the public interest (such as for equal opportunities monitoring or in relation to our occupational pension scheme), and in line with our policies; and/or
where it is needed to assess your working capacity on health grounds, subject to appropriate confidentiality safeguards.
Less commonly, we may process this type of information where it is needed in relation to legal claims or where it is needed to protect your (or someone else’s) interests and you are not capable of giving your consent, or where you have already made the information public. We may also process such information about our people (or former people) in the course of our legitimate business activities with the appropriate safeguards.
The special categories of personal data may be used in the following ways:
in relation to leaves of absence, to comply with employment and other laws;
in relation to your physical or mental health, or disability status, to ensure your health and safety in the workplace and to assess your fitness to work, to monitor, manage and administer benefits and absences;
in relation to your race, national or ethnic origin, religious, philosophical or moral beliefs, or your sexual life or sexual orientation, to ensure meaningful equal opportunity monitoring and reporting.
DISCLOSURE:
Personal data may be transferred to service providers who support the operation of our business (such as payroll service providers), to other third parties reasonably necessary in the conduct of our business (including insurers, professional advisors, regulators). These third parties may be acting as processor, or controller of personal data in their own right.
In respect of all disclosures of personal data, we will only share the personal information which is necessary for the particular purpose for which it is provided, or where we have another legitimate interest in doing so, and we will ensure that the personal data is appropriately protected.
RETENTION PERIOD:
We will keep personal data only for as long as is necessary to fulfil the purposes for which we collected it, including for the purposes of satisfying any legal, accounting or reporting requirements. We will normally keep personal data of applicants who we do not employ for six months after we receive it.
We will keep personal data of employees throughout your employment and normally for a minimum of six years after your employment ends.
Changes to your personal data
It is very important that the personal information that we hold about you is accurate and current. Please tell us if your personal information changes during your relationship with us.
Data Security
We have put in place measures to prevent your personal data from being accidentally lost, used or accessed in an unauthorised way, altered or disclosed. In addition, we limit access to your personal data to those of our people and other third parties who have a business need to know. They will only process your personal data on our instructions and where they have agreed to treat the information confidentially and to keep it secure. We have put in place procedures to deal with any suspected data security breach and will notify you and the ICO of a suspected breach where we are legally required to do so.
Where we store your personal data
We principally store data, both electronically and on file, at our office.
Personal data may be transferred outside of the EEA by processors acting on our behalf. For transfers to countries not considered adequate by the EC, we will ensure that personal data is adequately protected, as required by the GDPR. This would include by use of the Standard Contractual Clauses adopted by the EC to protect personal data.
Your rights
Under certain circumstances, you have the right by law to request:
access to your personal data. This enables you to ask to receive a copy of the personal data that we hold about you and to check that we are lawfully processing it.
correction of the personal data that we hold about you.
erasure of your personal data.
object to processing of your personal data where we are relying on our legitimate interest and there is something about your particular situation which makes you want to object to processing on this ground. You also have the right to object where we are processing your personal information for direct marketing purposes.
restriction of processing of your personal data.
transfer of your personal data to another party.
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CHANGES TO THIS PRIVACY POLICY
Any changes we may make to our privacy policy in the future will be posted on our website, so please ensure that you are viewing the correct version.
Please contact us if you have any questions, comments or requests regarding this Privacy Policy.
Last amended May 2021.