"To enter Berry Grass’ Hall of Waters is to agree to a deep-sea excavation through baths that are simultaneously familiar yet foreign. Grass is your guide—pen light in hand, illuminating darknesses that cause the light to refract back upon the reader and author. In Missouri, there are no natural lakes—instead, they are created by dam construction; the water cutting a swath through the trees. The springs, however, are believed to be true blue, as Grass says, 'And it’s all so healthy, isn’t it? So restorative? To soak in our nature’s superior water and pretend that superiority is therefore our nature. To pretend that the concept of natural is natural.' Hall of Waters is an examination of how America loves to be undisturbed after claiming what it believes to be theirs, and how Grass finds a way to reclaim identity while still carrying traces of the fountains of the past."––Brian Oliu, author of So You Know It’s Me

"We forget that one product of fire’s burning is water. And Berry Grass’ searing and far-seeing, tetrahedral and tenderhearted micro memoirs set in the osmotic membrane of the Middle Border, Hall of Waters, re-minds us of these fused and confused outcomes at the core of the combustion of cognition. There is nothing I can think of akin to the elemental chemistry of this book. It is sublime, yes, but in its exquisitely rendered prose it rewrites (and rights) the valences that bond us to the place of place and the us of us. This water is 'hard' water indeed, but in the dissolved solids one finds a balm, a welling, a source, and a baptism all drenched and drenching in liquid fire."––Michael Martone, Author of The Moon Over Wapakoneta and Brooding

HALL OF WATERS is an attempt to demythologize the rural American Midwest through the specific example of the author’s hometown, Excelsior Springs, MO. Through lyric essay & memoir, the book seeks to examine & undercut the inherent settler white supremacy of the Midwestern small-town, to deromanticize the nostalgia for land & place that is the hallmark of Midwestern art, & to think about what it was like growing up queer & trans in such a toxic environment.

excerpts appear at:

The Wanderer
Tiny Mag
Phoebe Journal
Diagram
The Fanzine
The Map is Not

About the Author

Berry Grass has lived in rural Missouri, Tuscaloosa, & now Philadelphia. Their essays & poems appear in DIAGRAM, The Normal School, Barrelhouse, Sonora Review, BOAAT, and The Wanderer, among other publications. They are a 2019 nominee for the Krause Essay Prize. Their chapbook, Collector's Item, was published in 2014 by Corgi Snorkel Press. They recieved their MFA from the University of Alabama, where they served as Nonfiction Editor of Black Warrior Review. They curate "Tragic: the Gathering," an occasional transgender reading series in South Philly. When they aren't presently reading submissions as Nonfiction Editor of Sundog Lit, they are embodying what happens when a Virgo watches too much professional wrestling. Follow at @thebgrass on Twitter, @berry.grass on Instagram.

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