Geschichte der Theorie der Tragà die, von Gottsched bis Lessing
Language: German
Published by Forgotten Books, 2018
- Softcover
- New
Seller: Forgotten Books, London, United KingdomForgotten Books
AbeBooks seller since June 2, 2021
Condition: New
£ 14.67
Quantity: Over 20 available
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Print on Demand. This book analyzes the evolution of norms in tragic dramatization. The author explores how these norms have been established and changed over time, examining the complex interplay between artistic expression and societal values. The book traces the development of tragic theory from the ancient Greeks to the 18th century, providing a comprehensive overview of the major figures and ideas that have shaped the genre. The author argues that norms in tragedy are not static but rather reflect the evolving cultural and intellectual landscape, and that understanding their historical context is crucial for appreciating the full scope and significance of tragic drama. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.
Seller Inventory # 9781332646869_0
- Title
- Geschichte der Theorie der Tragà die, von Gottsched bis Lessing
- Author
- Max Poensgen
- Publisher
- Forgotten Books
- Publication year
- 2018
- Condition
- New
- Book Type
- print-on-demand item
- Binding
- Paperback
- Language
- German
- ISBN 10
- 1332646867
- ISBN 13
- 9781332646869
- Seller catalogs
- Books in German
Rudolf Eucken, Die Lebensanschauung der grossen Denker. 2. Aufl. Leipzig 1897. S. 9.dadurch, daß wir verschiedene Dichtungsgattungen, Drama, Epos, Lyrik, Didaktik u. S. F. Unterscheiden, geben wir in gewissem Grade Normen, 1 und wenn jemand etwa auf ein Drama den Stil einer anderen Dichtungsart übertragen wollte, würden wir sagen, das Werk sei als Drama schlecht, weil es unseren Vor'stellungen vom Drama widerspräche. Und worauf beruhen diese Vorstellungen anders, als auf gewissen stillschweigend anerkannten Gesetzen, die jeder Dichtungsart erst ihr eigenes, charakteristisches Gepräge ver leihen? Sowie wir das aber zugeben, werden wir auch ein Drama,_ in das in hohem Grade die zuständliche epische Schilderung hinein getragen wird, oder eine Lyrik von überwiegend didaktischem Cha rakter ablehnen. Oder, um ein konkretes Beispiel anzuführen: die Norm des menschlich Bedeutungsvollen wird in jedem wahren Kunst werk erfüllt sein müssen, heute, wie ehedem, wie zukünftig, weil die Erfahrung uns lehrt, daß ohne jene Norm eine ästhetische Befriedi gung nicht eintreten kann. Alle wahrhaft großen Kunstwerke bieten einen deutlichen Beleg für die Richtigkeit meiner Behauptung, durchaus auch die Goethes, mit dessen geweihtem Namen sich so mancher stümperhafte Dramatiker von heute gerade in diesem Punkte zu decken sucht. 2 Um meine Stellung zu verdeutlichen, mochte ich die Ethik zum Vergleiche heranziehen, mit deren Gesetzen es sich genau so verhalt, wie mit denen der Ästhetik. 3 Die Begriffe von Gut und Böse sind auch nur relative, aber sie beruhen auf absolut feststehenden Fundamentalgesetzen. Einen Menschen, der einem Wohlthaten erwiesen, ohne Grund meuchlings zu überfallen und niederzumachen, gilt heute wie allezeit als eine Schädigung der Ge samtheit und damit als eine böse Handlung. Daraus leitet dann die Ethik die ganz bestimmte Norm ab: Du sollst (von gewissen Sonderfällen abgesehen) nicht töten. Ebenso nun, wie die Ethik allgemeine Regeln fixiert, ohne deren Beobachtung ein gutes Leben nicht moglich ist, stellt die Ästhetik Grundnormen auf, deren Ver nachlassigung den Begriff des Kunstwerks einfach auf hebt Ich meine, daß die, welche alle Normen negieren, sich der gleichen Selbsttäuschung hingehen wie der Positivismus, wenn er nichts gelten lassen will als die reine Erfahrung. Wie bei diesem sich doch un bewußt die verknüpfende Thätigkeit der Denkfunktion einschleicht.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.
The digital edition of all books may be viewed before purchase if you request a sample.
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