GENDER IN CHINESE MUSIC.
Language: English
Published by SP Boydell & Brewer 0, 2013
- Hardcover
- New

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Seller Inventory # CvS 9781580464437
- Title
- GENDER IN CHINESE MUSIC.
- Author
- MISC
- Publisher
- SP Boydell & Brewer 0
- Publication year
- 2013
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1580464432
- ISBN 13
- 9781580464437
- Edition
- International Edition
Individual chapters examine unique music cultures ranging from those of courting couples in China's heartlands to ethnic minority singers in the borderlands, and from Ming-period courtesans to contemporary karaoke hostesses. The book also features interviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: Ruard Absaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng.
Rachel Harris is a Senior Lecturer in Ethnomusicology at SOAS, University of London.
Rowan Pease is a Senior Teaching Fellow at SOAS, University of London.
Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.
"Synopsis" may belong to another edition of this title.
Review
There are too many gems in this book to address here. . . . I can think of no better volume to demonstrate the astounding breadth of Chinese musical cultures than Gender in Chinese Music. The chapters are well written, informative, thought provoking, and provide an important contribution to a range of issues in Chinese society both in the musical sphere and beyond. MUSIC AND LETTERS
This is a comprehensive, well-edited, and interdisciplinary selection of essays on a complex theme. . . . The book features interviews with fans and musicians, who offer their own personal and professional approaches to gender, which is especially interesting considering the differing constructions of gender within the broader artistic scene in China. . . . This book's insights and broad perspectives make it valuable to those interested in ethnomusicology, cultural studies, and Chinese studies in general. Summing up: recommended. CHOICE
These meticulously-researched essays, written by leading scholars in their respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University
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