French Baroque Opera
Caroline Wood, Graham Sadler
Sold by Moe's Books, Berkeley, CA, U.S.A.
AbeBooks Seller since 26 May 2003
Used - Soft cover
Condition: Used - Very good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Moe's Books, Berkeley, CA, U.S.A.
AbeBooks Seller since 26 May 2003
Condition: Used - Very good
Quantity: 1 available
Add to basketExcellent condition. Binding is tight. Inside is clean and unmarked.
Seller Inventory # 1155558
From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English.
Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
Both authors are established scholars in the field of French Baroque music. Caroline Wood is a retired Senior Lecturer at the University of Hull, UK. Her publications include Music and Drama in the ‘tragédie en musique’, 1673–1715 (1996). Graham Sadler is Research Professor at Birmingham Conservatoire, UK, and author of The Rameau Compendium (2014). Both have contributed extensively to leading musicological journals and standard reference works.
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