Black cloth, gilt letters on spine, with black and color illustrated dust jacket. ix, 228 pp. Profusely illustrated in color. "In the decade preceding his death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works -- some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent noctures marked an important new direction for the celebrated illustrator, wrtier, and sculptor of America's vanishing frontier." (dj) Includes extensive essays, copious notes and an appendix on the conservation practices used on these works, making this a really well-rounded book, and a splendid examination of this specialty of Remington's oeuvre.

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Bibliographic Details

Title

Frederic Remington: The Color of Night

Publisher

National Gallery of Art / Princeton University Press, Washington

Publication Date

2003

Language

English

ISBN 10

0691115540

ISBN 13

9780691115542

Binding

Hardcover

Condition

VG/VG

Seller catalogs

American Artists

About this title

Synopsis

In the decade preceding his untimely death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works - some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent nocturnes marked an important new direction for the celebrated illustrator, writer, and sculptor of America's vanishing frontier. In these deeply personal works, Remington explored the technical and aesthetic difficulties of painting darkness. Surprisingly, his images are filled with color and light--moonlight, firelight, candlelight. Focused on the subject the artist had made his own - the American West - these paintings reflect Remington's dramatic reworking of the narrative tradition as well as the spare modernism of his late work. "Frederic Remington: The Color of Night", accompanying the first exhibition devoted to the nocturnes, includes three insightful essays discussing Remington's nocturnes within the literary, historical, aesthetic, and technological context of his time. The nocturnes do much more than document a night that was rapidly disappearing under bright, newly installed electric lights. They also reveal how this son of a Civil War hero moved from burnishing Theodore Roosevelt's rough riding heroics in Cuba to exploring, like Stephen Crane and Ernest Hemingway, his own soul-searing war experience, and, like Joseph Conrad, to probing America's own heart of darkness. As the definitive resource on Remington's nocturnes, this volume pairs large reproductions of these stunning paintings - including newly conserved works and others not seen publicly since the artist's death - with commentary from his personal diaries and letters and from contemporary critics.

About the Author

Nancy Anderson is Associate Curator of American and British Painting at the National Gallery of Art, where she has recently served as curator and principal catalogue author for the retrospective "Thomas Moran". Alexander Nemerov, professor of art history at Yale University, is the author of "Frederic Remington and Turn-of-the-Century America". William C. Sharpe is professor of English at Barnard College and the author of "Unreal Cities".

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