Fragmenta Musicae. Contemporary Perspectives
VArious
Sold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
New - Soft cover
Condition: New
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Add to basketSold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
Condition: New
Quantity: 1 available
Add to basketJoao Pedro d'Alvarenga, Manuel Pedro Ferreira, Alberto Medina de Seica (eds). Pages: 542 p.Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples. Language(s):English. Publication Year:2025. Brepols. ISBN: 978-2-503-61300-0. Paperback Summary This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czagány Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Océane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ibenik Gabriella Gilányi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Joao Pedro d Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Joao Pedro d Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Histórico Municipal, B60/36) Alberto Medina de Seica Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendonca Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Joao Vaz and André Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index.
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