From
Tschanz Rare Books, Salt Lake City, UT, U.S.A.
Seller rating 5 out of 5 stars
AbeBooks Seller since 9 May 2017
10 Photogravures [31.5 cm x 21 cm] / [12.5" x 8"] on cream colored stock [45.5 cm x 35.5 cm] / [18" x 14"] All in nice condition. Included are two different illustrated prospecti. - 'The Pottery Maker: Hopi' - 'The Wood Gatherer: Hopi' - 'Shepherd of the Hills: Navaho' - 'Every Wind: Ojibwa' - The Hunters: Ojibwa' - 'Moose Call: Ojibwa' - 'The Wooing: Ojibwa' - 'Meditation: Piegan' - 'The Pass Finders: Piegan' - 'Up the Cutbank: Piegan'. Roland W. Reed (1864-1934) was a photographer working in the American west, who was largely self-funded in his effort to document the vanishing indigenous peoples he encountered and sought out. Many of his images were staged to offer romanticized depictions of these people as he wanted to see them. Reed lived with and photographed the Ojibwe in Minnesota; the Blackfeet, Piegan, Flathead, Cheyenne, and Blood in northern Montana and southern Canada; and the Navajo and Hopi in Arizona. He had begun work on the publication of his collection with the title 'Reed's Photographic Art Studies of the North American Indian' at the time of his accidental death. "The ten pictures described give a general coverage of our main Indian groups. This set has been purchased by many Teachers' Colleges for use in their Training Schools, and hundreds of schools have secured sets for use in their grades, art classes, and libraries. The pictures are photogravure reproductions of Mr. Reed's photographs on heavy paper." from one of the prospecti. Seller Inventory # 8495
Title: The First American, The Indian [Photogravure...
Publisher: Gravure Engraving Company, Minneapolis, MN
Publication Date: 1934
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. Image/paper: 39.9 × 28.1 cm (15 3/4 × 11 1/8 in.); Mount: 55.7 × 45.7 cm (21 15/16 × 18 in.).The North American Indian, Portfolio V, Plate no. 163.Photogravure by John Andrew and Sons, plate no. 163 on Hollande Van Gelder paper, title, copyright and plate number printed in the margin.Photo-engraving by John Andrew and Sons, plate no. 163 on Hollande Van Gelder paper, title, copyright, board number printed in the margin.The Arikara developed the legerdemain of their all-summer medicine ceremony to such an extent that other tribes, far and near, learned of their wonderful and potent magic?This remarkable ceremony of the medicine fraternity of the Arikara has long been dormant, the agency officials having suppressed it about 1885. The writer, desiring to learn as much as was possible of a rite that had such unusual recognition among all the northern plains Indians, made arrangements with the remnant of the fraternity for a performance of it; not of course presuming to make it an all-summer one, or hoping to revive the sleight-of-hand, the secrets of which they admit have been lost, but to reproduce the ritualistic features?In former times it was the custom, in the early spring before the planting season, to open one of the medicine bundles fabled to have been left with the several bands by Mother (the Corn). The act was accompanied by a repetition of the myth of the genesis and migration of the Arikara, and there followed a dramatic enactment in the nature of a prayer for bounteous crops. Seller Inventory # 51-6022
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. Image: 15 5/8 × 11 3/8 inches (39.7 × 28.9 cm) Sheet: 22 1/16 × 18 1/16 inches (56 × 45.9 cm).Photogravure by John Andrew and Sons, plate no. 26 on Hollande Van Gelder paper, title, copyright and plate number printed in the margin.Photo-engraving by John Andrew and Sons, plate no. 26 on Hollande Van Gelder paper, title, copyright, board number printed in the margin66,5 x 45,7 CM - 26 1/8 x 18 3/4 INB. Seller Inventory # 51-6023