- Softcover
- New
Condition: New
£ 34.60
Quantity: Over 20 available
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Spanning fields from poststructuralism, feminism, queer theory, postcolonialism, and cultural studies, the contributors ask - what does auteurship look like today in light of new critical developments in the film studies?Über den Autor.
Seller Inventory # 595042306
- Title
- Film and Authorship
- Author
- Virginia Wright Wexman
- Publisher
- RUTGERS UNIV PR
- Publication year
- 2002
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0813531934
- ISBN 13
- 9780813531939
- Series
- Book 13 of 20: Rutgers Depth of Field
During the 1960s, when cinema first entered the academy as a serious object of study, the primary focus was on auteurism, or on films authorship. Burgeoning cinema studies courses demonstrated how directors were the authors of work that undermined (or succeeded in spite of) all the constraints that Hollywood threw at them. New critical methods were introduced as the field matured, and studies of the author/director, for the most part, were considered obsolete.
Virginia Wright Wexman has pulled together some of the freshest writing available on the topic of film authorship. Spanning approaches including poststructuralism, feminism, queer theory, postcolonialism, and cultural studies, the contributors ask, what does auteurship look like today in light of all these developments? The contents of the volume are divided into three major sections: Theoretical Statements, Historical and Institutional Contexts, and Case Studies. Wexmans comprehensive introduction contextualizes the selections and summarizes the scholarly methods through which auteurism has been addressed in the past; it also provides a sketch of the history of media authorship. An extensive bibliography rounds off the volume.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
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