Film Adaptations of Russian Classics (Paperback)
Language: English
Published by Edinburgh University Press, Edinburgh, 2024
- Softcover
- New
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
AbeBooks seller since June 22, 2007
Condition: New
£ 52.21
Quantity: 1 available
Add to basketItem description from seller
Paperback. The volume examines several screen adaptations of works written by mid- and late nineteenth-century authors, who constitute the hallmark of the Russian cultural brand, finding favour with audiences in Russia and in the West. It considers reimagining of Goncharov, Turgenev, Dostoevsky, Chekhov and Tolstoy in different contexts.The book examines various types of adaptation, including transposition, commentary, and analogy. It focuses on established Russian and western filmmakers' dialogue with the classics taking place in the last 60 years. The book shows how the ideological and/or philosophical concerns of the day serve as a lens for a specific reading of the novel, the story, or the play. By foregrounding a synergetic literary-cinematic space, the book demonstrates how the director becomes a creative mediator between his audiences and the author, taking account of contemporary epistemological imperatives and the particularities of the reception by viewers. Discusses film adaptations of Russian classics since the 1960s Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
Seller Inventory # 9781474499149
- Title
- Film Adaptations of Russian Classics (Paperback)
- Author
- Olga Sobolev
- Publisher
- Edinburgh University Press, Edinburgh
- Publication year
- 2024
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1474499147
- ISBN 13
- 9781474499149
The book examines various types of adaptation, including transposition, commentary, and analogy. It focuses on established Russian and western filmmakers’ dialogue with the classics taking place in the last 60 years. The book shows how the ideological and/or philosophical concerns of the day serve as a lens for a specific reading of the novel, the story, or the play. By foregrounding a synergetic literary-cinematic space, the book demonstrates how the director becomes a creative mediator between his audiences and the author, taking account of contemporary epistemological imperatives and the particularities of the reception by viewers.
"Synopsis" may belong to another edition of this title.
About the Author
Olga Sobolev is Director of the Language, Culture and Society Programme at the London School of Economics and Political Science. Her research interests lie in comparative studies and concern nineteenth- and twentieth-century Russian and European culture. Her recent books and contributions to edited volumes include: From Orientalism to Cultural Capital: The Myth of Russia in British Literature of the 1920s (co-authored with Angus Wrenn, 2017); ‘Anna Karenina: The ways of Seeing’ (2021); ‘Representation of H. G. Wells on the Russian Stage and Screen’ (2019); The Only Hope of the World: G. B. Shaw and Russia (co-authored with Angus Wrenn, 2012); The Silver Mask: Harlequinade in the Symbolist Poetry of Blok and Belyi (2008).
"About the title" may belong to another edition of this title.
AussieBookSeller
Truganina, VIC, Australia
AbeBooks seller since June 22, 2007
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