Figurine. Varia et concinna delineamenta
Salvatore ROSA
Sold by Librairie Le Feu Follet, Paris, France
Association Member:
AbeBooks Seller since 30 October 2003
Used - Hardcover
Ships from France to U.S.A.
Quantity: 1 available
Add to basketSold by Librairie Le Feu Follet, Paris, France
Association Member:
AbeBooks Seller since 30 October 2003
Quantity: 1 available
Add to basketS. n. | Ca 1656 | petit in 4 | relié | 62 eaux fortes sur papier fort. Très Rare. Salvatore Rosa a exécuté ce travail de gravures vers 1656 dans un recueil originellement intitulé Figurine. Notre recueil porte un autre titre dans le cartouche du frontispice, de même que l'exemplaire possédé par le musée portugais national de Soares dos reis porte le titre : Has ludentis oty Carolo Rubeo singularis amititiae pignantes. D. D. D. L'exemplaire du musée portugais est annoncé comme une publication posthume du XVIIIe. La plupart des gravures de ce recueil sont visibles séparément au fines art museum of San francisco (Achenbach Foundation for Graphic Art -plus grande collection américaine de gravures), le county musém de Los Angeles en possède 8, le museum of fine arts de Boston 4. Les gravures sont décrites au même format que notre recueil (13,6 x 8,9 cm), certaines gravées d'après des artistes anonymes, d'autres dessinées par Salvatore Rosa Lui-même, les différences de style sont en effet visibles. Le frontispice possédé par le musée de San Francisco est vierge. Le musée ne détient que 52 gravures, par ailleurs toutes inversées. Toutes les gravures de notre recueil portent le monogramme de deux lettres entrelacées S et R. Certains monogrammes sont inversées, ce qui tend à penser que la planche l'est également. La planche 29 a été restaurée, la marge basse sous la gravure a été rajoutée (la planche avait été coupée à la limite de la gravure). Une tâche brune claire marge haute du titre sans atteinte aucune à la gravure. La planche 33 a été mal coupée en marge basse. Un livre italien sur le sujet est paru : Figurine d'acquaforte : mostra di incisioni di Salvator Rosa,Benevento, Museo del Sannio, 9 dicembre 2000-7 gennaio 2001. Publication musée del Sannio. Reliure en demi basane glacée Marine Restauration, dos lisse à filets et fers à froid et filets et roulettes dorés. Un léger accroc avec manque au mors supérieur bas. Salvatore Rosa (1615-1673), né à Naples et mort à Rome, travailla à Rome et à la cour des Médicis, fut un grand peintre baroque italien et un poète ainsi qu'un acteur apprécié, il sera plus tard considéré comme très influent sur la sensibilité romantique. | [ENGLISH DESCRIPTION FOLLOWS] ROSA Salvatore Figurine. Varia et concinna delineamenta N. n., n. p. n. d. [circa 1656], small in-4 (15,5 x 22 cm), one frontispice et 60 plates, restoration-period binding 62 etchings on thick paper. Very rare. Salvatore Rosa made these etchings around 1656 in a collection originally entitled Figurine. This collection has a different title in the cartouche on the frontispiece, just as another copy in the Soares dos reis Portuguese National Museum bears the title: Has ludentis oty Carolo Rubeo singularis amititiae pignantes. D. D. D. The copy in the Portuguese museum is cataloged as a posthumous edition from the 18th century. Most of the engravings in this set can be seen separately at the Fine Art Museum of San Francisco (the Achenbach Foundation for Graphic Art, the biggest collection of engravings in America). The Los Angeles County Museum has 8, while the Museum of Fine Art in Boston has 4. The engravings are described as having the same format as our set (13.6 x 8.9 cm), some engraved after anonymous artists, others drawn by Salvatore Rosa himself; the stylistic differences are clearly visible. The frontispiece of the copy held in the San Francisco museum is blank. The museum has only 52 engravings, all reversed. All the engravings in the present set have a monogram with the two letters, S and R interlaced. Some of the monograms are reversed, which leads one to think that the plates themselves are also reversed. Plate 29 has been repaired, the lower margin under the engraving has been replaced (the plate having been at some point cut to the edge of the image). Light brown stain to the upper margin of title, not touching plate. Plate 33 incorrectly cut at bottom margin. An Italian book has recently appeared on the subject: Figuri un.
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