Figured in Marble: The Making and Viewing of Eighteenth-Century Sculpture book by Malcolm Baker
Language: English
Published by J. Paul Getty Museum, 2000
- Hardcover
- Used
Seller: West Cove UK, Wellington, United KingdomWest Cove UK
AbeBooks seller since December 16, 2019
Condition: Used - Very good
£ 21.29
Quantity: 1 available
Add to basketItem description from seller
Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. See images for condition. About the book >.>.> Eighteenth-century art has been the focus of some of the liveliest debates within the field of art history in recent years, but sculpture, which occupied a central place within contemporary visual culture between 1700 and 1820, has been largely ignored. Figured in Marble aims to put sculpture firmly back into the picture. By outlining some new approaches to the remarkable range of works that were made, collected and viewed during this period, the book shows how our understanding of eighteenth-century art can be greatly enriched by considering sculpture as an integral and major part of that culture. Made up of a series of case studies, linked by sections looking at the methodologies employed in addressing sculpture, this book examines issues such as the way in which the history of sculpture has been written, how we might consider the design and making of sculpture in a variety of materials, the various types and genres of sculpture, and the collecting, setting and viewing of such works. Together these case studies c.…
Seller Inventory # Batch-FM659-VG-13538
- Title
- Figured in Marble: The Making and Viewing of Eighteenth-Century Sculpture book by Malcolm Baker
- Author
- Malcolm Baker
- Publisher
- J. Paul Getty Museum
- Publication year
- 2000
- Condition
- Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0892366060
- ISBN 13
- 9780892366064
- Seller catalogs
- All Things Art, Sculpture Ceramics and Metalwork
The opening chapter situates the study of English sculpture within a broader context of art history. Three essays explore the ways in which the histories of sculpture in England have been written and articulated through museum displays. Several case studies illustrate issues about making sculpture, categories of sculpture, the setting and viewing of sculpture, and collecting and displaying it. Together, these chapters consider sculpture that ranges from Claude David's lost fountain for Cheapside, Wilton's monument to General Wolfe, and Nollekens' Judgement of Paris group to the French bronzes owned by Rysbrack and to William Shenstone's figure of Pan.
"Synopsis" may belong to another edition of this title.
About the Author
Malcolm Baker is deputy head of research at the Victoria and Albert Museum. Among his many writings is Roubiliac and the Eighteenth-Century Monument: Sculpture as Theater, which he coauthored. It was awarded the 1996 Mitchell Prize for the History of Art and the 1996 Book Prize of the American Historians of British Art.
"About the title" may belong to another edition of this title.
West Cove UK
Wellington, United Kingdom
AbeBooks seller since December 16, 2019
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