Fiery Cinema: The Emergence of an Affective Medium in China, 1915—1945
Language: English
Published by University of Minnesota Press, 2015
Series: Book 10 of 20 - A Quadrant Book
- Softcover
- Used
Seller: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.The Haunted Bookshop, LLC
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Condition: Used
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Add to basketItem description from seller
no owners' marks; as new. 479pp incl. index.; Fine Crisp, bright, clean pages.
Seller Inventory # 00092948
- Title
- Fiery Cinema: The Emergence of an Affective Medium in China, 1915—1945
- Author
- Bao, Weihong
- Publisher
- University of Minnesota Press
- Publication year
- 2015
- Binding
- Softcover
- Language
- English
- ISBN 10
- 0816681341
- ISBN 13
- 9780816681341
- Series
- Book 10 of 20: A Quadrant Book
- Seller catalogs
- Film, Radio & Television
What was cinema in modern China? It was, this book tells us, a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao’s term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In Fiery Cinema, Bao traces the permutations of this affective medium from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.
Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, Bao has created an archaeology of Chinese media culture. Within this context, she grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject. Carrying on a close conversation with transnational media theory and history, she teases out the tension and affinity between vernacular, political modernist, and propagandistic articulations of mass culture in China’s varied participation in modernity.
Fiery Cinema advances a radical rethinking of affect and medium as a key insight into the relationship of cinema to the public sphere and the making of the masses. By centering media politics in her inquiry of the forgotten future of cinema, Bao makes a major intervention into the theory and history of media.
"Synopsis" may belong to another edition of this title.
About the Author
Weihong Bao is assistant professor of film and media and Chinese studies at the University of California, Berkeley.
"About the title" may belong to another edition of this title.
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