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This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim women’s mosques in central China.
By drawing on a ‘Song Book’ of chants, collected from the tradition of women’s mosques, as context it reveals just how the increasing prominence of female voices has given rise to considerable misgivings among senior religious leaders over the potential destabilization of orthodox Islamic gendered practices. Providing a historical introduction to the place and function of Islamic chants, jingge and zansheng, the book gives a conceptual framing of female silence, sound, and agency in local translations of Confucian and Islamic precepts, and women’s personal accounts of the role played by traditional and modern soundscapes in transmitting and celebrating Islamic knowledge and faith.
As a study of women's soundscapes and the significance of legitimacy, ambiguities, and implications of female sound, this book will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam.
About the Author:
Maria Jaschok is Senior Research Associate of Contemporary China Studies at the Oxford School of Global and Area Studies, University of Oxford, UK.
Title: Inside the Expressive Culture of Chinese ...
Publisher: Routledge
Publication Date: 2026
Binding: Soft cover
Condition: As New
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim womens mosques in central China. By drawing on a Song Book of chants, collected from the tradition of womens mosques, as context it reveals just how the increasing prominence of female voices has given rise to considerable misgivings among senior religious leaders over the potential destabilization of orthodox Islamic gendered practices. Providing a historical introduction to the place and function of Islamic chants, jingge and zansheng, the book gives a conceptual framing of female silence, sound, and agency in local translations of Confucian and Islamic precepts, and womens personal accounts of the role played by traditional and modern soundscapes in transmitting and celebrating Islamic knowledge and faith. As a study of women's soundscapes and the significance of legitimacy, ambiguities, and implications of female sound, this book will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam. This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim womens mosques in central China. It will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781032618531
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Condition: New. 2026. 1st Edition. paperback. . . . . . Seller Inventory # V9781032618531
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Paperback. Condition: Brand New. 250 pages. 6.14x0.53x9.21 inches. In Stock. Seller Inventory # x-1032618531
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Paperback. Condition: new. Paperback. This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim womens mosques in central China. By drawing on a Song Book of chants, collected from the tradition of womens mosques, as context it reveals just how the increasing prominence of female voices has given rise to considerable misgivings among senior religious leaders over the potential destabilization of orthodox Islamic gendered practices. Providing a historical introduction to the place and function of Islamic chants, jingge and zansheng, the book gives a conceptual framing of female silence, sound, and agency in local translations of Confucian and Islamic precepts, and womens personal accounts of the role played by traditional and modern soundscapes in transmitting and celebrating Islamic knowledge and faith. As a study of women's soundscapes and the significance of legitimacy, ambiguities, and implications of female sound, this book will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam. This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim womens mosques in central China. It will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781032618531
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Condition: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland. Seller Inventory # V9781032618531