Exploiting East Asian Cinemas : Genre, Circulation, Reception
Language: English
Published by Bloomsbury Publishing PLC Jul 2019, 2019
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Add to basketItem description from seller
Neuware - From the 1970s onward, 'exploitation cinema' as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as 'mainstream' or as 'exploitation' have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as 'art' or 'trash,' regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes 'East Asian exploitation cinema.'.…
Seller Inventory # 9781501354892
- Title
- Exploiting East Asian Cinemas : Genre, Circulation, Reception
- Author
- Mike Dillon
- Publisher
- Bloomsbury Publishing PLC Jul 2019
- Publication year
- 2019
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 1501354892
- ISBN 13
- 9781501354892
- Item weight
- 337 grams
- Dimensions
- 228x156x17 mm
- Series
- Book 3 of 8: Global Exploitation Cinemas
"Synopsis" may belong to another edition of this title.
About the Author
Mike Dillon teaches film and media studies at California State University, Fullerton. His research focuses on the relationship between media cultures and transnational human mobility. His publications include essays in Journal of South Asian Film and Media Studies, Mediascape, and Reconstruction, among other; and chapters in the anthologies Negative Cosmopolitanisms and Transnational Horror Cinema.
"About the title" may belong to another edition of this title.
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