Experimental Encounters in Music and Beyond
Language: English
Published by Leuven University Press, 2017
- Softcover
- New
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KlappentextrnrnMultidisciplinary analysis of experimentalism in music and the wider arts today.Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemp.
Seller Inventory # 909622995
- Title
- Experimental Encounters in Music and Beyond
- Publisher
- Leuven University Press
- Publication year
- 2017
- Condition
- New
- Binding
- Kartoniert / Broschiert
- Language
- English
- ISBN 10
- 9462701105
- ISBN 13
- 9789462701106
Multidisciplinary analysis of experimentalism in music and the wider arts today
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term “experimental”, this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines―from choreography through composition to philosophy and beyond―the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors
Richard Barrett (Institute of Sonology, The Hague), Sebastian Berweck (pianist and performer), Kathleen Coessens (Orpheus Institute, Ghent), Frederik Croene (pianist and composer, Belgium), Chaya Czernowin (Harvard University, Cambridge), Anne Douglas (Grays School of Art, Robert Gordon University, Aberdeen), Bob Gilmore † (Orpheus Institute, Ghent), Valentin Gloor (Orpheus Institute, Ghent), David Gorton (Royal Academy of Music, University of London), David Horne (Royal Northern College of Music, Manchester), Efva Lilja (Dansehallerne, Copenhagen), Svetlana Maraš (independent music professional, Radio Belgrade, Electronic Studio), Melinda Maxwell (Royal Northern College of Music, Manchester), Christopher Redgate (Royal Academy of Music, University of London), Jan C. Schacher (Royal Conservatoire, Artesis Plantijn University College, Antwerp, and Zurich University of the Arts), Reto Stadelmann (composer and musician, Germany), Steve Tromans (Middlesex University, UK), Penelope Turner (singer, musician, and performer, UK and Belgium)
"Synopsis" may belong to another edition of this title.
About the Author
Anne Douglas is a professor emerita, Gray’s School of Art, Robert Gordon University, Scotland, who explores the changing place of the artist in public life. Her research has increasingly focused on art and the environmental crisis from a practice-led perspective. She co-produced the Harrisons’ work ‘On the Deep Wealth of this Nation: Scotland’ (2017) in collaboration with Newton Harrison and the Centre for the Study of the Force Majeure, University of California Santa Cruz.
Bob Gilmore is a Research Fellow at the Orpheus Institute (Belgium) and editor of Tempo: A Quarterly Review of New Music (UK).
David Gorton is a composer, senior postgraduate tutor and associate head of research at the Royal Academy of Music, associate professor at the University of London, and associate researcher at the Orpheus Institute, Ghent.
"About the title" may belong to another edition of this title.
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