Experiential and Experimental Knowledge on the Early Modern English Stage
Language: English
Published by Edinburgh University Press Apr 2026, 2026
Series: Book 26 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
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Add to basketItem description from seller
Neuware - Early modern dramatists entertained audiences by staging experiential and experimental knowledge, especially consequential forms of coming to or arriving at knowledge. The contributors to this collection explore the ways in which the culture's fascination with forms of knowledge creation - scientific, experiential, religious - shaped early modern drama. Experiential and Experimental Knowledge on the Early Modern English Stage addresses these issues from phenomenological, political and ethical perspectives and in terms of histories of science, cognitive and affective studies, and discourses of the body. Across the volume, the contributors articulate how the early modern stage served as a site where knowledge was not merely performed but produced and interrogated, imagined and transformed.
Seller Inventory # 9781399520836
- Title
- Experiential and Experimental Knowledge on the Early Modern English Stage
- Author
- Pavneet Aulakh
- Publisher
- Edinburgh University Press Apr 2026
- Publication year
- 2026
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 1399520830
- ISBN 13
- 9781399520836
- Item weight
- 558 grams
- Dimensions
- 234x156x16 mm
- Series
- Book 26 of 28: Edinburgh Critical Studies in Renaissance Culture
- Contributes to our understanding of the ways the early modern world understood knowledge and knowledge production
- Intervenes in major currents in early modern literary and cultural studies
- Informed by science studies and exciting new research on early modern natural philosophy
- Addresses issues that would interest readers concerned with embodiment and environment, perception and the senses, passion and affect and emotion, bodily experience
- Interdisciplinary character of the project would interest readers from a wide range of fields including English literature, science studies, theatre history, philosophy, early modern history, religious studies, and comparative literature
"Synopsis" may belong to another edition of this title.
About the Author
James Kearney is Professor of English at the University of California, Santa Barbara. He is the author of Shakespearean Ethics in Extremity: Phenomenology, Theater, Experience (2025) and The Incarnate Text: Imagining the Book in Reformation England (2010), which won CCL’s Book of the Year Award. With Julia Reinhard Lupton and Lowell Gallagher, he co-edited Entertaining the Idea: Shakespeare, Performance, and Philosophy (2020).
"About the title" may belong to another edition of this title.
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