Exhibition, Design, Participation: 'an Exhibit' 1957 and Related Shows - Exhibition Histories. Vol 7 (Paperback)
Language: English
Published by Verlag der Buchhandlung Walther Konig, Cologne, 2024
- Softcover
- New
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
AbeBooks seller since October 12, 2005
Condition: New
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Paperback. Published with Afterall Books. The radical project an Exhibit (mounted in 1957 at Hatton Gallery, Newcastle, and the Institute of Contemporary Arts, London) emerged from a decade of testing the formats and possibilities of exhibition making, resulting in a show with the motto "No objects, no ideas." A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer. In this volume, comprehensive documentation of the original exhibition is presented alongside coverage of other key projects from the era and contextualized in a detailed essay by Elena Crippa. Archival texts conveying the different voices of the project's three creators, and a contemporaneous essay by David Sylvester, are accompanied by new contributions from Martin Beck, Owen Hatherley and Lucy Steeds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Seller Inventory # 9783863358976
- Title
- Exhibition, Design, Participation: 'an Exhibit' 1957 and Related Shows - Exhibition Histories. Vol 7 (Paperback)
- Author
- Elena Crippa
- Publisher
- Verlag der Buchhandlung Walther Konig, Cologne
- Publication year
- 2024
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 386335897X
- ISBN 13
- 9783863358976
Published with Afterall Books.
The radical project an Exhibit (mounted in 1957 at Hatton Gallery, Newcastle, and the Institute of Contemporary Arts, London) emerged from a decade of testing the formats and possibilities of exhibition making, resulting in a show with the motto "No objects, no ideas." A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer.
In this volume, comprehensive documentation of the original exhibition is presented alongside coverage of other key projects from the era and contextualized in a detailed essay by Elena Crippa. Archival texts conveying the different voices of the project's three creators, and a contemporaneous essay by David Sylvester, are accompanied by new contributions from Martin Beck, Owen Hatherley and Lucy Steeds.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
Grand Eagle Retail
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AbeBooks seller since October 12, 2005
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