The Essence of Line: French Drawings from Ingres to Degas
Language: English
Published by Penn State University Press, University Park, PA, 2004
- Softcover
- New
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
AbeBooks seller since February 4, 1997
Condition: New
£ 15.59
Quantity: 2 available
Add to basketItem description from seller
Color pictorial wraps. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005.…
Seller Inventory # 156116
- Title
- The Essence of Line: French Drawings from Ingres to Degas
- Author
- Fisher, Jay and William Johnston, Cheryl Snay, Kim Schenk
- Publisher
- Penn State University Press, University Park, PA
- Publication year
- 2004
- Condition
- new
- Binding
- Softcover
- Language
- English
- ISBN 10
- 0271026928
- ISBN 13
- 9780271026923
- Seller catalogs
- European Art, Museum Exhibitions - European Art
Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore―William Walters, George Lucas, the famous Cone sisters, among others―stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne.
The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection.
Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums.
This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at:
The Baltimore Museum of Art, 19 June–11 September 2005
The Walters Art Museum 19 June–4 September 2005
Birmingham Museum of Art, 19 February–14 May 2006
Tacoma Art Museum, 9 June–17 September 2006.
"Synopsis" may belong to another edition of this title.
About the Author
William R. Johnston is Associate Director and Curator of eighteenth- and nineteenth-century art at The Walters Art Museum.
Kimberly Schenck is Conservator at The Baltimore Museum of Art.
Cheryl K. Snay is Research Associate, Department of Prints, Drawings, and Photographs at The Baltimore Museum of Art.
"About the title" may belong to another edition of this title.
Mullen Books, ABAA
Marietta, PA, U.S.A.
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Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include the Humanities, with an emphasis on Art, Architecture, Photography, Decorative Arts, History, as well as Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000' of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books almost everywhere, with the exception of China due to restrictions. Our website mullenbooks.com maintains our entire database of over 150,000 titles dynamically, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool. Despite what Google may indicate, we are only open to visitors by appointment, as our schedules are dynamic depending upon the needs of our valued employees.…
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Mullen Books, Inc.
121-123 Walnut Street
Columbia, PA U.S.A. 17512
Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include Art, Architecture, Photography, Decorative Arts, History, Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000 feet of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books everywhere. Our website mullenbooks.com maintains our entire database of ovber 151,000 titles dynamcially, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool.
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