Emotionally Weird

Kate Atkinson

ISBN 10: 0312203241 / ISBN 13: 9780312203245

Published by Macmillan, 2000

About this Item

Seeking refuge in the ancient, mouldering home of their ancestors on an island off the coast of Scotland, Effie and her mother, Nora, reveal the secrets of their lives and loves, past and present, to each other, in a hilarious novel about mothers, daughters, and love. 25,000 first printing. Mylar protector included. Please note the image in this listing is a stock photo and may not match the covers of the actual item.

Seller Inventory # 123726589

Bibliographic Details

• Title: Emotionally Weird
• Publisher: Macmillan
• Publication Date: 2000
• Language: English
• ISBN 10: 0312203241
• ISBN 13: 9780312203245
• Binding: Hardcover
• Condition: Good
• Dust Jacket Condition: Very Good
• Book Type: Book

About this title

Synopsis

Seeking refuge in the ancient, mouldering home of their ancestors on an island off the coast of Scotland, Effie and her mother, Nora, reveal the secrets of their lives and loves, past and present, to each other, in a hilarious novel about mothers, daughters, and love. 25,000 first printing.

Review

Family history and identity are Kate Atkinson's twinned keynote themes. Behind the Scenes at the Museum (winner of the Whitbread Book of the year), had "The Family" at its centre, a sweep of charming, related genes who sauntered through the fin de siècle to the less glamorous 1992. Her second novel, Human Croquet starred the Fairfaxes, all missing mothers, perfumed with nicotine and danger, and strange aunts. Larkin may be right, your parents fuck you up but in Atkinson's novels you have to find out who they are before you can start laying blame.

On the surface, Emotionally Weird follows the trend. Effie and her mother Nora are staying in the decaying family home on a small island off the West coast of Scotland. To keep themselves amused they begin telling stories. Nora's are about their ancestors, in whose veins blood blue as "delphiniums and lupins" flows, and the real identity of Effie's father and mother. Nora's language is like her "sea-change eyes", full of poetry and strange beauty. Effie's tales of life at the University of Dundee and her life with Star Trek obsessed Bob are more prosaic and funny: "I did so hope that Bob was a dress rehearsal, a kind of mock relationship, like a mock exam, to prepare me for the real thing."

The novel becomes troublesome where it follows Effie to a creative writing course at the university. The class is run by Martha: who writes poetry "with impenetrable syntax about a life where nothing happened." The other characters in the novel are pre-occupied with the same need to find meaning through writing. Archetypal detective stories, sword and sorcery fantasy, doctor and nurse romantic scenarios, existential angst and liberal use of ellipses are given free reign. Whilst this self-conscious wordplay is fun for those who enjoy a more literary book, those who simply enjoy a good read may get lost in the jostle of competing language construction.

In this novel, confused paternity is only part of the struggle for identity, the words you use are also defining- you are what you write. Some readers will revel in the Shandy-esque shape of the experimental in this narrative, others may find it's a literary joke taken too far.--Eithne Farry.