Emergency Money: Notgeld in the Image Economy of the German Inflation, 1914-1923. This item is unavailable.
Language: English
Published by PGUK4, 2024
- Softcover
- New

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Softcover
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Item description from seller
272 pages. 9.25x6.00x0.75 inches. In Stock.
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- Title
- Emergency Money: Notgeld in the Image Economy of the German Inflation, 1914-1923
- Author
- TOM WILKINSON
- Publisher
- PGUK4
- Publication year
- 2024
- Condition
- Brand New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0262546809
- ISBN 13
- 9780262546805
- Item weight
- 0.58 kilograms
A landmark art historical study of German Notgeld, the emergency money produced during World War I, and the hyperinflation that followed. <p/>Emergency Money is the first art historical study of Germany's emergency money, Notgeld. Issued during World War I and the tumultuous interwar period, these wildly artful banknotes featured landscapes, folk figures, scenes of violence and humor, and even inflation itself in the form of figures staring into empty purses or animals defecating coins. Until now, art historians have paid Notgeld scant attention, but Wilkinson looks closely at these amusing, often disturbing, artifacts and their grim associations to cast new light on the Weimar Republic's visual culture, as well as the larger relationship between art and money. <p/>As Wilkinson shows, Germany's early twentieth-century economic crisis was also a crisis of culture. Retelling the period's gripping story through thematic investigations into prevalent Notgeld motifs, Wilkinson illuminates how the vexed relationship between aesthetic value and exchange value was an inextricable part of everyday life. <p/>A landmark contribution to our understanding of twentieth-century Germany, Emergency Money brings together art, economics, critical theory, and media theory to create a book for our own inflationary moment, as the world's new materialisms confront the specter of this older, more fundamental materialism.
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About the Author
Tom Wilkinson is an art historian who specializes in German visual culture and modern architecture. Previously a lecturer at the Courtauld Institute and at Birkbeck, University of London, he is History Editor of the Architectural Review and author of Bricks and Mortals: Ten Great Buildings and the People They Made.
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