The Elizabethan Player : Contemporary Stage Representation
Language: English
Published by Taylor & Francis Ltd (Sales) Mär 2017, 2017
Series: Book 14 of 15 - Routledge Library Editions: Renaissance Drama
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 227.52
Quantity: 2 available
Add to basketItem description from seller
Neuware - In this book, first published in 1991, David Mann argues for more attention to the performer in the study of Elizabethan plays and less concern for their supposed meanings and morals. He concentrates on a collection of extracts from plays which show the Elizabethan actor as a character onstage. He draws from the texts a range of issues concerning performance practice: the nature of iterance; doubling and its implications for presentational acting; the importance of clowning and improvisation; and the effects of audience and venue on the dynamics of performance. The author suggests that the stage representation of players is in part a nostalgic farewell to the passing of an impure but perhaps more vital theatre, and in part an acknowledgement of the threat the adult theatre's growing sophistication offered to its institutional and adolescent rivals. This title will be of interest to students of Drama and Performance.
Seller Inventory # 9781138235656
- Title
- The Elizabethan Player : Contemporary Stage Representation
- Author
- David Albert Mann
- Publisher
- Taylor & Francis Ltd (Sales) Mär 2017
- Publication year
- 2017
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 1138235652
- ISBN 13
- 9781138235656
- Item weight
- 581 grams
- Dimensions
- 234x156x18 mm
- Series
- Book 14 of 15: Routledge Library Editions: Renaissance Drama
In this book, first published in 1991, David Mann argues for more attention to the performer in the study of Elizabethan plays and less concern for their supposed meanings and morals. He concentrates on a collection of extracts from plays which show the Elizabethan actor as a character onstage. He draws from the texts a range of issues concerning performance practice: the nature of iterance; doubling and its implications for presentational acting; the importance of clowning and improvisation; and the effects of audience and venue on the dynamics of performance.
The author suggests that the stage representation of players is in part a nostalgic farewell to the passing of an impure but perhaps more vital theatre, and in part an acknowledgement of the threat the adult theatre’s growing sophistication offered to its institutional and adolescent rivals. This title will be of interest to students of Drama and Performance.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
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