On Edge: Performance at the End of the Twentieth Century
Language: English
Published by Wesleyan University Press, 1994
- Hardcover
- Used

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Condition: Used - Good
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Seller Inventory # OTV.0819552674.G
- Title
- On Edge: Performance at the End of the Twentieth Century
- Author
- Carr, C.
- Publisher
- Wesleyan University Press
- Publication year
- 1994
- Condition
- good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0819552674
- ISBN 13
- 9780819552679
Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider's analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the "cross-over" phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists.
CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, EthylEichelberge, Marina Abramovic, Ulay.
"Synopsis" may belong to another edition of this title.
Review
"Like a parade, a reunion, a wake, a summit, or a coming out party, C. Carr's On Edge is an occasion. The book brings together the best of those exquisite Carr essays that have salt and peppered the Village Voice for ten years, telling the 'Real Deal' on the ever-cutting edge of what we, the 'nth' generation, refuse to let ourselves continue to call the avantgarde." --Rebecca Schneider, TDR (The Drama Review)
"About the title" may belong to another edition of this title.
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