Echoes of Opera in Modern Italian Poetry Eros, Tragedy, and National Identity
Language: English
Published by Springer International Publishing, 2020
Series: Book 71 of 97 - Italian and Italian American Studies
- Hardcover
- New
Condition: New
£ 103.41
Quantity: 2 available
Add to basketItem description from seller
Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D'Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets' intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond. Sprache: Englisch Gewicht in Gramm: 449.
Seller Inventory # IB-1021117
- Title
- Echoes of Opera in Modern Italian Poetry Eros, Tragedy, and National Identity
- Author
- Mattia Acetoso
- Publisher
- Springer International Publishing
- Publication year
- 2020
- Condition
- Neu
- Binding
- Gebundene Ausgabe
- Language
- English
- ISBN 10
- 3030460908
- ISBN 13
- 9783030460907
- Item weight
- 449 grams
- Series
- Book 71 of 97: Italian and Italian American Studies
Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.
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