Dressaged Animality : Human and Animal Actors in Contemporary Performance
Language: English
Published by Taylor & Francis Ltd (Sales) Jul 2026, 2026
Series: Book 230 of 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 84.13
Quantity: 2 available
Add to basketItem description from seller
Neuware - The book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political economy issues, critiquing anthropomorphic worldviews, and provoking thoughts around animal and human nature that spark impulses for an innovative performance aesthetics and ethics.It combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between 'societal dressage' and 'bodily animality' that humans and animals share. Within this original theoretical framework, the book develops the concept of 'dressaged animality' as a mode of critique to analyse the social and political function of interdisciplinary forms of 'contemporary performances.'Drawing on archival and primary research, the book theorises and historicises more than 15 performance practices in which animality is allegorically staged through by humans danced, real, or filmically mediated animals. It focuses on Rose English's pioneering approach to performance-making as well as on overlooked performances by other renown and largely unknown American (Mike Kelley/Kate Foley, Robert Morris, Bruce Nauman, Yvonne Rainer, Diana Thater), British (Mark Wallinger, Rose English), and European artists (Tamara Grcic, Judith Hopf, Joseph Beuys, Bartabas) from the late 1960s until the late 2010s. While various types of artistic practice are framed as forms of critique (for example, protest art, interventionist strategies, institutional critique), the book maps an original performance theory in art which shows that contemporary artistic performances can also take up a critique of societal dressage.This study will be of great interest to students and scholars in art history, theatre, dance and performance studies, and ecology, as well as to artists and curators working with performance.…
Seller Inventory # 9781032574882
- Title
- Dressaged Animality : Human and Animal Actors in Contemporary Performance
- Author
- Lisa Moravec
- Publisher
- Taylor & Francis Ltd (Sales) Jul 2026
- Publication year
- 2026
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 1032574887
- ISBN 13
- 9781032574882
- Item weight
- 331 grams
- Dimensions
- 229x152x13 mm
- Series
- Book 230 of 256: Routledge Advances in Theatre & Performance Studies
The book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political economy issues, critiquing anthropomorphic worldviews, and provoking thoughts around animal and human nature that spark impulses for an innovative performance aesthetics and ethics.
It combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of interdisciplinary forms of ‘contemporary performances.’
Drawing on archival and primary research, the book theorises and historicises more than 15 performance practices in which animality is allegorically staged through by humans danced, real, or filmically mediated animals. It focuses on Rose English’s pioneering approach to performance-making as well as on overlooked performances by other renown and largely unknown American (Mike Kelley/Kate Foley, Robert Morris, Bruce Nauman, Yvonne Rainer, Diana Thater), British (Mark Wallinger, Rose English), and European artists (Tamara Grcic, Judith Hopf, Joseph Beuys, Bartabas) from the late 1960s until the late 2010s. While various types of artistic practice are framed as forms of critique (for example, protest art, interventionist strategies, institutional critique), the book maps an original performance theory in art which shows that contemporary artistic performances can also take up a critique of societal dressage.
This study will be of great interest to students and scholars in art history, theatre, dance and performance studies, and ecology, as well as to artists and curators working with performance.
"Synopsis" may belong to another edition of this title.
About the Author
Lisa Moravec is an Art Historian-Performance Scholar. She writes, lectures, curates, and dances on intersections of the performing and visual arts.
"About the title" may belong to another edition of this title.
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