Edwin Austin Abbey (1852-1911) was born just two years after the inaugural release of Harper’s Monthly Magazine. Starting with his first published drawing in December 1870 at age 18, Abbey’s life-long association with the publisher resulted in hundreds of drawings found within the pages of Harper’s Monthly Magazine and Harper’s Weekly as well as Harper & Brothers books.

The resulting exposure throughout the U.S. and Europe secured an extensive level of recognition. Abbey had the rarefied appeal to everyone from the average reader to the most prestigious artists of the day. The inclusion of Abbey’s illustrations in these periodicals helped to expand the reach of the poetry, stories and essays that they accompanied to a massive audience.

This book focuses on Abbey’s line art for the magazines and books published by Harper & Brothers, beginning with his earliest works as a new professional in the field. The collection contains over 350 drawings. These delineated the poetry of Robert Herrick and enhanced such books as The Deserted Village, Old Songs, She Stoops to Conquer and The Quiet Life. Drawings created for numerous short stories and poetry are displayed here as well.

Also collected are Abbey’s exquisite series of drawings done over the course of twenty years for The Comedies of William Shakespeare, followed by The Shakespeare Tragedies. His painstaking devotion to research while securing the appropriate costumes, props and models for his drawings was legendary. The results are some of the most revered illustrations ever created, which continue to astound aficionados and inspire artists generations after Abbey’s last drawing was made.

An extensive new essay by Alice A. Carter offers a fresh look at Edwin Austin Abbey, his life and career.

About the Authors

Alice A. Carter is co-founder and professor emeritus of San Jose State University’s award-winning Animation/Illustration program. She is the former co-director of education at the Walt Disney Family Museum in San Francisco and currently president of the board of trustees at the Norman Rockwell Museum in Stockbridge, Massachusetts, as well as visiting faculty for the University of Hartford’s low-residency MFA in illustration. Carter earned her BFA at the University of the Arts and her master’s degree at Stanford University. Her academic honors include San Jose State’s Outstanding Professor award, the New York Society of Illustrator’s Distinguished Educator in the Arts award, and the Umhoefer Prize for Achievement in the Humanities. Carter’s publications include The Art of National Geographic: One Hundred Years of Illustration, The Red Rose Girls: An Uncommon Story of Art and Love, The Essential Thomas Eakins and Cecilia Beaux: A Modern Painter in The Gilded Age. Carter has curated exhibitions at the Woodmere Art Museum in Philadelphia, the Norman Rockwell Museum and the Society of Illustrators’ Museum of American Illustration in New York City. Carter is a member of the Hall of Fame Committee at New York’s Society of Illustrators and has been active on the advisory board of the California State University Entertainment Alliance.

John Fleskes is the president and publisher of Flesk Publications. He has published dozens of books featuring some of the top contemporary and most revered artists in the field. Fleskes has contributed to numerous books as writer, editor and designer.

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