Drawing as Placemaking : Environment, History and Identity

Phil Sawdon

ISBN 10: 1350457043 / ISBN 13: 9781350457041

Published by Bloomsbury Academic Apr 2026, 2026

About this Item

Neuware - Using a combination of articles and interviews, the book introduces nine contemporary drawing projects that embrace an expansive definition of the discipline, and use their drawing practice to consider how place is understood and made.Drawing as Placemaking focuses on how drawings and drawing processes can examine and articulate our relationships to placemaking, to our concepts of home, to historical and memorial sites, to our personal histories, and to imagined and actual places.The contributing artists (from the USA, Canada, Portugal, Germany, Turkey, Japan, New Zealand, Australia and the UK) use expanded drawing approaches to present different perspectives on how drawings are made, and how they can be used to describe, analyse, reimagine, transform and to make new actual, historical, and psychological places. The artist-authored chapters and the conversations with artists are interwoven to facilitate broader conversations about our human interactions with place, through all our senses; what we can see, touch, feel and hear, alongside what we know, theorise or imagine. The re-evaluation of placemaking from a range of cultural perspectives highlights new stories whilst reconsidering older ones.The book reveals new and contemporary insights into the long historical connection between drawing and placemaking and contributes to new debates around placemaking. It offers a deeper understanding of how we use drawing to better define ourselves and our place in the world.

Seller Inventory # 9781350457041

Bibliographic Details

• Title: Drawing as Placemaking : Environment, History and Identity
• Publisher: Bloomsbury Academic Apr 2026
• Publication Date: 2026
• Language: English
• ISBN 10: 1350457043
• ISBN 13: 9781350457041
• Binding: Buch
• Condition: Neu
• Dimensions: 250W x 158H x 24D millimeters 250 millimeters width by 158 millimeters height by 24 millimeters depth
• Weight: 776 grams

About this title

Synopsis

Using a combination of articles and interviews, the book introduces nine contemporary drawing projects that embrace an expansive definition of the discipline, and use their drawing practice to consider how place is understood and made.

Drawing as Placemaking focuses on how drawings and drawing processes can examine and articulate our relationships to placemaking, to our concepts of home, to historical and memorial sites, to our personal histories, and to imagined and actual places.

The contributing artists (from the USA, Canada, Portugal, Germany, Turkey, Japan, New Zealand, Australia and the UK) use expanded drawing approaches to present different perspectives on how drawings are made, and how they can be used to describe, analyse, reimagine, transform and to make new actual, historical, and psychological places. The artist-authored chapters and the conversations with artists are interwoven to facilitate broader conversations about our human interactions with place, through all our senses; what we can see, touch, feel and hear, alongside what we know, theorise or imagine. The re-evaluation of placemaking from a range of cultural perspectives highlights new stories whilst reconsidering older ones.

The book reveals new and contemporary insights into the long historical connection between drawing and placemaking and contributes to new debates around placemaking. It offers a deeper understanding of how we use drawing to better define ourselves and our place in the world.

About the Authors

Jill Journeaux is an artist and researcher who was Professor of Fine Art at Coventry University, UK from 2004 until 2024. She is Director of Drawing Conversations and has published on expanded drawing practices, including Collective and Collaborative Drawing in Contemporary Practice (2017) and Body, Space and Place in Collective and Collaborative Drawing (2020). She co-edited The Artist at Home (Bloomsbury, 2024).

Simon Woolham is an artist, curator and academic based at ROGUE ARTISTS STUDIOS in Manchester and teaches Fine Art at the University of Huddersfield, UK. His practice research often explores the interplay between tactile drawing processes, walking, performance and song-making, evolving layers of histories. He has exhibited widely, including residencies and exhibitions at The Lowry in Salford, Drawing Projects UK in Trowbridge, Chapter Gallery in Cardiff and Baltic - Centre for Contemporary Art in Gateshead. He also performs and expands his practice through his alter-ego, The Frog.