Drawing Conclusions (Commissar. This item is unavailable.Drawing Conclusions (Commissar

Donna Leon's latest New York Times bestseller "is one of her best" (Booklist, starred review)

Twenty years ago Venetian Commissario Guido Brunetti and his creator, Donna Leon, first introduced readers to the delights-and dangers-of Venice. Now they have millions of devoted fans. In Drawing Conclusions, a young woman arrives home and senses that all is not right in the apartment below. When she investigates, she finds her neighbor lying lifeless on the floor. The autopsy shows that the widow's death was due to a heart attack, but Brunetti is convinced that things are not as straightforward as they seem. With her signature combination of humanity, nuanced detail, and psychological insight, Leon's twentieth Brunetti mystery reaffirms her place in the pantheon of crime fiction.

A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found 'damaging physically and spiritually' that Donna decided to move to Venice, where she has now lived for over twenty years.

Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice's opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought 'why don't we kill him?' and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months.

Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).