Title: Double-Cross : The Hollywood Films of ...
Publisher: The Art Gallery of York University / The Power Plant, Toronto
Publication Date: 2004
Binding: Illustrated Wraps
Book Condition: As New
Edition: First Edition
272 pp. 64 colour illustrations. Study of the video installation works of artist Douglas Gordon (b.1966). An unread copy still in the original publisher's shrinkwrap with no visible wear or damage. Due to weight (.350 g / .77 lb.) listed shipping charges will be reduced. Size: 12mo - over 6¾" - 7¾" tall. Bookseller Inventory # 009177
Synopsis: How to double-cross Hollywood as an artist? This first monograph on British artist Douglas Gordon analyses all of the artist's video projection installations that are based on his appropriations of Hollywood film noir or Hitchcock films, examining Gordon's language works as well. Counter to the usual interpretations of Gordon's work as a dichotomy between good and evil, Double-Cross argues that his work is all about dissemblance, with the dichotomy only one deception among others. It also argues that, with the inaugural separation of the components of sound and image in his work, one of the artist's disguises is that of an author. All the fragments of the artist's work--projections, language works, photography--add up to the production of a criminal author. His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.
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