Directing at Disney (Hardcover)
Language: English
Published by Hyperion, New York, 2024
- Hardcover
- New
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
AbeBooks seller since October 12, 2005
Condition: New
£ 29.95
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Add to basketItem description from seller
Hardcover. For film buffs, Disney fans, and animation enthusiasts, a fascinting and personal look at seven men who defined the craft of directing an animated film under the tutelage of Walt Disney.This untold history collection chronicles the progression of the animation director role during the 1920s through the 1970s. For students of filmmaking and management, this book serves as go-to resource for a complex and sometimes technical role that demanded precision. For all Disney fans, these personal portraits of Walt's closest creative leaders offer a fuller picture behind the stories, characters, and magical realms in Disney's beloved and respected animated films.When the very first animated films appeared, there were no directors. With no actors, sets, costumes, or sound, what appeared onscreen was simply decided and drawn by an animator. Since early films were usually made by only one or two artists, there was little need for planning. Organization was loose. When Walt Disney started animating on shorts and advertising projects in Kansas City, Missouri, he followed that process, along with fellow artist and friend Ub Iwerks.Walt found that his strength was in story and character. He began writing outlines, describing what would appear scene by scene. Soon the text was accompanied by a sketch previsualizing the layout, giving all animators working on a film a clear vision of how their parts fit into the whole.Ultimately, Walt shepherded stories from their inception through every revision and gag. He approved every camera angle. He dictated what happened in every shot, sometimes every frame, obsessing over every detail. While not credited as such onscreen, Walt was the first Disney director.As the Disney studio grew, Walt organically evolved the role of director, reflecting the amount of trust he had in those he worked with, his interest in a specific project, and what other projects he had on his plate. Walt expected his directors to follow his instructions-and to improve the work at every turn.Directing at Disney- The Original Directors of Walt's Animated Films offers the little-known history behind Walt's foundational directors, such asWilfred Jackson, Clyde Geronimi, and Dave Hand. These talents directed some of the most beloved films in existence-Snow White and Seven Dwarfs, Pinocchio, Peter Pan, and One Hundred and One Dalmatians-yet virtually no one has heard of them . . . until now. ". chronicles the progression of the animation director role during the 1920s through the 1970s."--Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Seller Inventory # 9781484755747
- Title
- Directing at Disney (Hardcover)
- Author
- Don Peri
- Publisher
- Hyperion, New York
- Publication year
- 2024
- Condition
- new
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 148475574X
- ISBN 13
- 9781484755747
If you were asked to name the director of Snow White and the Seven Dwarfs, could you do it? How about Bambi, Pinocchio, or Cinderella? We know and love directors like George Lucas, Steven Spielberg, Frank Capra, and Alfred Hitchcock, but even Disney fans know very little about the directors of their favorite classic animated films.
The job itself is mysterious. What does a director actually do? The name evokes someone wearing a baseball cap, leaning back from the camera to yell, “Cut!” through their megaphone. How do you do that in animation? Can you tell an animated character, “Once more, with feeling”?
In fact, when the very first animated films appeared, there were no directors. With no actors, sets, costumes, or sound, what appeared on-screen was simply decided and drawn by one or two artists, with little need for planning. But as Walt Disney refined and improved the quality of the films he made, his staff grew to include hundreds of specialized artists, all of whom needed to know what they were making and how their part contributed to the overall. While Walt himself did this in his early films, the need to track the hundreds of details and creative decisions soon mandated a separate and distinct role. And as Walt’s interests grew to include live action, television, and theme parks, he relied more and more on these lieutenants to shape and guide his animated films.
Directing at Disney: The Original Directors of Walt’s Animated Films chronicles the progression of this unknown yet pivotal role from the 1920s through the 1970s. For students of filmmaking and management, this book serves as a go-to resource for this creative and sometimes technical role. For all Disney fans, these personal portraits of Walt’s closest collaborators offer a fuller picture behind the stories, characters, and creation of Disney’s beloved animated films, as well as a fascinating reflection of Walt’s own growth as a creative leader
Searching for more ways to celebrate Disney? Explore these books from Disney Editions:
The Story of Disney: 100 Years of WonderThe Official Walt Disney Quote BookWalt Disney: An American Original, Commemorative EditionPeople behind the Disney Parks: Stories of Those Honored with a Window on Main Street, U.S.A.Delicious Disney: Disneyland: Recipes & Stories from the Happiest Place on Earth
"Synopsis" may belong to another edition of this title.
About the Author
Don Peri is the author of Working with Walt: Interviews with Disney Artists and Working with Disney: Interviews with Animators, Producers, and Artists. In addition to nearly a hundred interviews with creative leaders of the Disney films, he assisted director Ben Sharpsteen in writing his memoirs, giving Don an inside look at what it took to direct films under Walt's supervision.
"About the title" may belong to another edition of this title.
Grand Eagle Retail
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