Digital Signatures: The Impact of Digitization on Popular Music Sound
Language: English
Published by Mit Pr, 2023
- Softcover
- New

Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
AbeBooks seller since January 6, 2003
Condition: New
£ 41.08
Quantity: 2 available
Add to basketItem description from seller
200 pages. 9.00x6.00x0.50 inches. In Stock.
Seller Inventory # x-0262549638
- Title
- Digital Signatures: The Impact of Digitization on Popular Music Sound
- Author
- Brøvig, Ragnhild/ Danielsen, Anne
- Publisher
- Mit Pr
- Publication year
- 2023
- Condition
- Brand New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0262549638
- ISBN 13
- 9780262549639
- Item weight
- 0.3 kilograms
Is digital production killing the soul of music? Is Auto-Tune the nadir of creative expression? Digital technology has changed not only how music is produced, distributed, and consumed but also--equally important but not often considered--how music sounds. In this book, Ragnhild Brøvig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive "digital signatures"--musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuning--all of which they analyze in specific works by popular artists.
Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's "Get Out of My House"; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's "Stranger"; and they describe the development of Auto-Tune--at first a tool for pitch correction--into an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga.
"Synopsis" may belong to another edition of this title.
About the Author
Anne Danielsen is Professor in the Department of Musicology at the University of Oslo.
"About the title" may belong to another edition of this title.
Revaluation Books
Exeter, United Kingdom
AbeBooks seller since January 6, 2003
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Edward Bowditch Ltd
Exstowe, Exton
Exeter, United Kingdom EX3 0PP
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