The essential political and theoretical work of one of Latin America’s most important contemporary theorists. Raquel Gutiérrez Aguilar is one of the foremost Latin American political thinkers. From armed Indigenous struggle in the Bolivian altiplano to the contemporary wave of feminist uprisings, Raquel Gutiérrez's life and work have spanned and spurred on some of the most important political sequences in the last forty years in Latin America.
Almost unknown in the United States, Raquel is one of the Latin American anticapitalist, antistate Left's most important contemporary theorists. She has produced important work on communal struggles and political forms and has been at the center of some of the most important political organizing in Bolivia and Mexico in the last forty years. This volume presents an extensive interview with Raquel in which she charts her political and intellectual trajectory from her militancy in the Ejército Guerrillero Tupac-Katari, to Bolivia's famous Water and Gas wars, to the massive wave of popular feminist rebellions and organizing. Translator and writer, Brian Whitner offers two essays in translation that contain some of her central theoretical concepts, including the veto and reappropriation of communal wealth, for thinking a politics in common, and of the commons.
Raquel Gutiérrez Aguilar (Mexico City, 1962) is an organizer who has participated in numerous struggles and uprisings in Latin America over the last four decades. From the civil wars in Central America in the 1980s to Indigenous uprisings in Bolivia, she has contributed to struggles both as an active participant and as a theorist of movement strategies, horizons and possibilities.
After spending five years in prison in Bolivia, and energized by the Water War in Cochabamba, Gutiérrez Aguilar returned to Mexico in 2001. Since then, she has experimented working with and alongside women in multiple ways: in autonomous organizations, social centers, publishing projects, the academy and, most recently, via journalism with the digital weekly Ojala.mx.
Gutiérrez Aguilar is the author of the following volumes, all of which draw on her life experiences: ¡A desordenar! Por una historia abierta de la lucha social (1995), Desandar el laberinto (1999), and Cartas a mis hermanas más jóvenes 1 y 2 (2020 and 2021), the first of which came out in English as Letter to my younger sisters (2023). She has also written about various struggles and political moments in The Rhythms of the Pachakuti (2014) and Horizontes comunitarios-populares en América Latina (2015).
Together with other comrades, she has compiled experiences and debates taking place among Indigenous and communitarian struggles in Latin America in a three volume series titled Movimiento indígena en América Latina: resitencia y transformación social (2005, 2007 and 2011) as well in Comunalidad, tramas comunitarias y producción de lo común: Debates contemporáneos desde América Latina (2018).
Brian Whitener is an Associate Professor of Romance Languages and Literatures at the University at Buffalo and author of Crisis Cultures: The Rise of Finance in Mexico and Brazil (University of Pittsburgh Press, 2019), Face Down (Timeless Infinite Light, 2016), and The 90s (speCt!, 2022). He is an editor on two forthcoming books: Border Abolition Now (Pluto Press, 2024) and Abolir ya: otra justicia es posible (Andromeda, 2024). Other writing or translation projects include De gente común: Arte, política y rebeldía social, edited with Lorena Méndez and Fernando Fuentes (Universidad Autónoma de la Ciudad de México, 2013) and the translations of Grupo de Arte Callejero: Thoughts, Actions, Practices (Common Notions, 2019) and Genocide in the Neighborhood: State Violence, Popular Justice, and the ‘Escrache’ (Common Notions, 2023).
JD Pluecker works with language, that is, a living thing, a thing of life and history. Their undisciplinary work inhabits the intersections of writing, history, translation, art, interpreting, bookmaking, queer/trans aesthetics, non-normative poetics, language justice, and cross-border cultural production. They have translated numerous books from the Spanish, including
Gore Capitalism (Semiotext(e), 2018) and
Antígona González (Les Figues Press, 2016), and forthcoming
Writing with Caca by Luis Felipe Fabre (Green Lantern Press, 2021) and
Trash by Sylvia Aguilar Zéleny(Deep Vellum Press, 2022). Their book of poetry and image,
Ford Over, was released in 2016 from Noemi Press, and in 2019 Lawndale Art Center supported the publication of the artist book,
The Unsettlements: Dad. From 2010-2020, they worked as part of the transdisciplinary collaborative Antena Aire and from 2015-2020 with the local social justice interpreting collective Antena Houston. JD has exhibited work at Blaffer Art Museum, the Hammer Museum, Project Row Houses, and more. More info at
www.jdpluecker.com and
www.antenaantena.org.
