Decentering World's Fairs
Alexandra Karentzos
Sold by Wegmann1855, Zwiesel, Germany
AbeBooks Seller since 2 June 2022
New - Soft cover
Condition: New
Ships from Germany to U.S.A.
Quantity: 2 available
Add to basketSold by Wegmann1855, Zwiesel, Germany
AbeBooks Seller since 2 June 2022
Condition: New
Quantity: 2 available
Add to basketNeuware -How are the histories of art and fashion connected in the global context of world's fairs The contributors to this volume analyze the changing roles assumed by the arts, visual media, handicrafts, and artifacts and investigate the unifying conceptions of the ¿Gesamtkunstwerk¿ in the framework of national representations at world's fairs. They reflect the ambivalent status of Latin American re-/presentations and the artistic and curatorial strategies employed by representatives of (post)colonial or ¿peripheral¿ states. By focusing on transcultural style migrations and aesthetic discourses in a globalized art world, the volume provides a re-vision of international exhibitions and world's fairs from the perspective of a critical art history.
Seller Inventory # 9783837681031
How are the histories of art and fashion connected in the global context of world’s fairs? The contributors to this volume analyze the changing roles assumed by the arts, visual media, handicrafts, and artifacts and investigate the unifying conceptions of the ›Gesamtkunstwerk‹ in the framework of national representations at world’s fairs. They reflect the ambivalent status of Latin American re-/presentations and the artistic and curatorial strategies employed by representatives of (post)colonial or ›peripheral‹ states. By focusing on transcultural style migrations and aesthetic discourses in a globalized art world, the volume provides a re-vision of international exhibitions and world’s fairs from the perspective of a critical art history.
Alexandra Karentzos (Prof. Dr.) ist Kunst- und Kulturwissenschaftlerin und Professorin für Mode und Ästhetik an der Technischen Universität Darmstadt. In Forschung und Lehre befasst sie sich insbesondere mit Mode, Kunst und Globalisierung in einer postkolonialen, transkulturellen Perspektive.
Miriam Oesterreich (Dr.) ist promovierte Kunsthistorikerin und Professorin für Designtheorie an der Universität der Künste Berlin. Ihre Forschungsschwerpunkte sind Lateinamerikanische Kunstgeschichte, Indigenismus und Modernekonzeptionen, transkulturelle Transferprozesse künstlerischer Praktiken, Kunst im 19. Jahrhundert sowie Verflechtungen von Kunst und Populärkultur.
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