Debate and Dialogue: Alain Chartier in his Cultural Context (Oxford Modern Languages and Literature Monographs). This item is unavailable.
Language: English
Published by OUP Oxford, 2006
Series: Book 5 of 36 - Oxford Modern Languages and Literature Monographs
- Hardcover
- New

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Alain Chartier was one of medieval France's most influential writers, but has been overlooked by modern criticism. This is the first full-length study of his work in its cultural context. It reconsiders the French verse debates in particular, based on their material context of transmission and on similarities with his French and Latin prose works. Series: Oxford Modern Language and Literature Monographs. Num Pages: 272 pages, 6 halftone plates, manuscript tables. BIC Classification: 1DDF; DSBB; DSC. Category: (P) Professional & Vocational. Dimension: 223 x 145 x 23. Weight in Grams: 458. . 2006. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.
Seller Inventory # 9780199290260
- Title
- Debate and Dialogue: Alain Chartier in his Cultural Context (Oxford Modern Languages and Literature Monographs)
- Author
- Cayley, Emma
- Publisher
- OUP Oxford
- Publication year
- 2006
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0199290261
- ISBN 13
- 9780199290260
- Series
- Book 5 of 36: Oxford Modern Languages and Literature Monographs
Emma Cayley sets Chartier in the context of a late-medieval debating climate through the use of a new model of participatory poetics which she terms the collaborative debating community. This is a dynamic and generative social grouping based on Brian Stock's model of the textual community, as well as Pierre Bourdieu's sociological categories of field, habitus, and capital. This dialectical model takes account of the socio-cultural context of literary production, and suggests the fundamentally competitive yet collaborative nature of late-medieval poetry. Cayley draws an analogy here between literary debates and game-playing, engaging with the game theory of Johan Huizinga and Roger Caillois, and discusses the manuscript context of such literary debates as the materialization of this poetic game. The collaborative debating community postulated affords unique insights into the dynamics of late-medieval compositional and reading practices.
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