Dance History(s): Imagination as a Form of Study
PARSON, Annie-B; DeFrantz, Thomas F.
Language: English
Published by Wesleyan University Press, Middletown, CT, 2024
- Softcover
- Used

Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
AbeBooks seller since September 25, 1996
Condition: Used - Fine
£ 42.70
Quantity: 3 available
Add to basketItem description from seller
12 pamphlets and 1 poster, 138 total illustrations, 312 total pages. Slim 8vos, printed wrappers, blue elastic band. Brooklyn: Dancing Foxes Press, 2024. New. In original shrink. A multivoiced dance history book, authored by twelve diverse choreographers.1. Introduction poster 45 images. 2. Andros Zins-Browne: Bring Your Folks 20 pp., no images3. Annie-B Parson: Dancing is Living 32 pp., 30 images4. Bebe Miller: This is How Dance Happens 20 pp., 12 images 5. Eiko Otake: Letters 32 pp., 6 images 6. Javier Stell-Fresquez: Storming With Two-Spirits 36 pp., 6 images 7. Keith Hennessey: A History of Dancing 20 pp., no images 8. Mariana Valencia: Dear Reader 28 pp., 8 images 9. Maura Nguyen Donohue: Somewhen Else 36 pp., 8 images 10. Mayfield Brooks: What Came before the Heartbreak 20 pp., 5 images 11. Ogemdi Ude: Watch me 24 pp., 10 images 12. Okwui Okpokwasili: Entangled 20 pp., 1 image 13. thomas f. defrantz: The Future Histories of Black Dance 24 pp., 22 images.
Seller Inventory # 324298
- Title
- Dance History(s): Imagination as a Form of Study
- Author
- PARSON, Annie-B; DeFrantz, Thomas F.
- Publisher
- Wesleyan University Press, Middletown, CT
- Publication year
- 2024
- Condition
- fine
- Binding
- pamphlet
- Language
- English
- ISBN 10
- 0819500909
- ISBN 13
- 9780819500908
- Seller catalogs
- ANTHOLOGY, ART, BLACK STUDIES, DANCE, HISTORY
A multivoiced dance history book, authored by twelve diverse choreographers
In an effort to deepen our understanding of what dance is and how it has functioned throughout human history, this prismatic book project is dedicated to an artist-centric perception of dance history. This book interrogates the history of dance from the subjective, poetic perspective of a choreographer. Diverse dance artists from the American dance field contribute prismatic, disruptive perspectives on how dance has unfolded over time and what dance history is. They reimagine the question: What is dance history? Twelve illustrated booklets, each written by a working choreographer, address the subject of dance history from nonacademic, subjective, poetic perspectives. The books model a way of enlarging and complicating how we view dance history by giving the authorial microphone to artists, to learn how their embodied perceptions relate to or diverge from the dominant dance canon. With contributions by mayfield brooks, Thomas F. DeFrantz, Maura Nguyen Donohue, Keith Hennessy, Bebe Miller, Okwui Okpokwasili, Eiko Otake, Annie-B Parson, Javier Stell-Fresquez, Ogemdi Ude, Mariana Valencia, and Andros Zins-Browne. Published by Dancing Foxes Press and Wesleyan University Press. Produced by Big Dance Theater with the generous support of The Howard Gilman Foundation, The Starry Night Fund, Big Dance Theater's Board Designated Fund, Virginia and Timothy Millhiser, and King's Fountain., reviewing a previous volume
"Synopsis" may belong to another edition of this title.
About the Author
ANNIE-B PARSON is a choreographer and artistic director of Big Dance Theater. Parson has also made choreography for rock shows, marching bands, symphonies, movies, museums, objects, augmented reality, and people: David Byrne, David Bowie, St. Vincent, Mikhail Baryshnikov, Wendy Whelan, Laurie Anderson, Nico Muhly, Jonathan Demme, and the Martha Graham Dance Co. THOMAS F. DEFRANTZ is professor at Northwestern University, Evanston, Illinois, and director of SLIPPAGE: Performance, Culture, Technology, a research group that explores emerging technology in live performance applications. DeFrantz received the Outstanding Research in Dance award from the Dance Studies Association in 2017.
"About the title" may belong to another edition of this title.
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