Dance in Handel's London Operas
Language: English
Published by Boydell and Brewer Ltd, US, 2013
- Hardcover
- New
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
AbeBooks seller since June 20, 2025
Condition: New
£ 131.37
Quantity: Over 20 available
Add to basketItem description from seller
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart.George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas,including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.…
Seller Inventory # LU-9781580464208
- Title
- Dance in Handel's London Operas
- Author
- Sarah McCleave
- Publisher
- Boydell and Brewer Ltd, US
- Publication year
- 2013
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1580464203
- ISBN 13
- 9781580464208
- Item weight
- 478 grams
"Synopsis" may belong to another edition of this title.
Review
Impeccably researched. An exemplary model of how to breathe new life into operas that have been studied as a [purely] vocal repertory. [McCleave's] findings will no doubt be of consequence for singers and opera directors looking to revive Handel's operas. Offers an extraordinary amount of useful information. A valuable resource for any dance, theater, or music historian of eighteenth-century England. MUSIC LIBRARY ASSOCIATION NOTES
The first full-length study of the subject, likely to transform the traditional view. Weaves a rich tapestry from relationships between Handel's output and the presence of dance in the contemporary theatrical scene. . . .The book explore[s] virtually every aspect of dance in Handel's operas. Packed with fresh information. The amount of fresh, detailed information greatly enhances our view of dance and spectacle [in this repertoire]. Anyone interested in Handel's dances -- not only scholars but also performers, conductors, and directors -- will find [this book] essential. An impressive and much-needed piece of scholarship, this book deserves a warm welcome. JOURNAL OF MUSICOLOGICAL RESEARCH
A data-rich study dealing in uncertainties and ambiguities. . . . Instructive and often revelatory. MUSICAL TIMES
Dance was a significant area of overlap between opera and other theatrical genres staged in London during the first half of the eighteenth century, and an integral part of the theatrical experience. In Dance in Handel's London Operas, Sarah McCleave shows Handel as the consummate theatrical professional, illuminating his work with and for dancers. --Kathryn Lowerre, author of Music and Musicians on the London Stage, 1695-1705
"About the title" may belong to another edition of this title.
Rarewaves USA United
HEBRON, KY, U.S.A.
AbeBooks seller since June 20, 2025
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