One Culture. Essays in Science and Literature. Edited by George Levine. With the assistance of Alan Rauch.

Levine, George (Ed.):

ISBN 10: 0299113000 / ISBN 13: 9780299113001

Published by The University of Wisconsin Press, 1987

About this Item

VIII; 359 S.; 23,5 cm. Gutes Exemplar; Einband mit kl. Läsur. - Englisch. - . The interaction between science and literature has been a subject of growing concern in criticism; the languages of science have increasingly found their way into literature and into discussions of it. And the traditional assumptions that literary people care nothing about science, scientists care nothing about literature have been belied throughout the twentieth century but particularly in recent years. There remain, however, large gaps of knowledge and of misunderstanding that make fruitful interchange and informed discussion difficult to achieve. And while this series will be aimed primarily at a literary audience, we are hoping not only to be of use as well to historians and philosophers of science and to scientists, but to sustain the standards of discussion of science at a level high enough to ensure the respect if not the agreement of the scientific community. While the series will not take a "position" in relation to controverted questions and will leave the directions of the arguments to the highly qualified and independent scholars and critics it seeks, it does grow from three assumptions, all of which are explicit in this first volume: first, that science and literature are two alternative but related expressions of a culture's values, assumptions, and intellectual frameworks; second, that understanding science in its relation to culture and literature requires some understanding not only of its own internal processes, but of the pressures upon it exercised by social, political, aesthetic, psychological, and biographical forces; third, that the idea of "influence" of one upon the other must work both ways - it is not only science that influences literature, but literature that influences science. (Vorwort) // INHALT : Preface ---- I. Introduction ---- One Culture: Science and Literature George Levine ---- II. Diverging and Converging Languages ---- Problems of Description in the Language of Discovery Gillian Beer ---- Montaigne, Boyle, and the Essay of Experience ---- James Paradis ---- George Lewes' Scientific Aesthetic: Restructuring the Ideology of the Symbol Peter Allan Dale ---- III. Crossing the Barriers: Mutual Influences ---- Information or Noise? Economy of Explanation in Barthes's S/Z and Shannon's Information Theory N. Katherine Hayles ---- "Catching Light": Physics and Art in Walter Pater's Cultural Context Donald R. Benson ---- Symmetry/Disruption: A Paradox in Modern Science and Literature Richard Pearce ---- Balzac with Laplace: Remarks on the Status of Chance in Balzacian Narrative David F. Bell ---- (u.a.m.) ISBN 0299113000 Sprache: Deutsch Gewicht in Gramm: 550.

Seller Inventory # 1200803

Bibliographic Details

• Title: One Culture. Essays in Science and Literature. Edited by George Levine. With the assistance of Alan Rauch.
• Publisher: The University of Wisconsin Press
• Publication Date: 1987
• Language: German
• ISBN 10: 0299113000
• ISBN 13: 9780299113001
• Binding: Goldgepr. Originalleinen.
• Condition: Gut
• Weight: 550 grams
• Seller catalogs:
  • Literaturwissenschaft

About this title

Synopsis

In this volume, the first in the series Science and Literature, editor George Levin has brought together the contributions of historians, critics, and philosophers of science to explore these relationships.

From the preface:

"The interaction between science and literature has been a subject of growing concern in criticism; the languages of science have increasingly found their way into literature and into discussions of it. And the traditional assumptions that literary people care nothing about science, scientists care nothing about literature have been belied throughout the twentieth century but particularly in recent years. There remain, however, large gaps of knowledge and of misunderstanding that make fruitful interchange and informed discussion difficult to achieve. And while this series will be aimed primarily at a literary audience, we are hoping to be of use as well to historians and philosophers of science at a level high enough to ensure the respect if not the agreement of the scientific community.

While the series will not take a 'position' in relation to controverted questions and will leave the directions of the arguments to the highly qualified and independent scholars and critics it seeks, it does grow from three assumptions, first, that science and literature are two alternative but related expressions of a culture's values, assumptions, and intellectual frameworks; second, that understanding science in its relation to culture and literature requires some understanding not only of its own internal processes, but of the pressures upon it exercised by social, political aesthetic, psychological, and biographical forces; third, that the idea of 'influence' of one upon the other must work both ways — it is not only science that influences literature, but literature that influences science. These assumptions, of course, are not uncontroversial, and they impinge on such large issues as the question of 'representation' in literature and entail corollaries —about such matters as the 'rationality' of science, or the degree to which it actually describes reality—that are at the center of contemporary battles within the philosophy of science. We hope that this series will throw light on these matters.

The subject is enormous, its importance inescapable. Vague as the enterprise may occasionally seem when viewed in the abstract, its significances are clear when we get down to cases, as the authors of the several essays in this volume do. The range of questions they address intimates the ambitions of the series."

About the Author

George Levine,  editor of the Wisconsin series on Science and Literature, is Professor of English at Rutgers University. His Realistic Imagination (Chicago) initiated a continuing study of the relations between science and literature, and he has completed a book on the way Darwinian thought permeated nineteenth-century narrative.