The Cultural Space of the Arts and the Infelicities of Reductionism

Margolis, Joseph

ISBN 10: 0231147287 ISBN 13: 9780231147286
Published by Columbia University Press, 2010
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Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noel Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art.

About the Author: Joseph Margolis is Laura H. Carnell Professor of Philosophy at Temple University and has just completed the third of a trio of books surveying American philosophy in the second half of the twentieth century. This volume is one of three recently published works that link salient problems in the philosophy of art and the theory of culture.

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Title: The Cultural Space of the Arts and the ...
Publisher: Columbia University Press
Publication Date: 2010
Binding: Hardcover
Condition: Very Good
Dust Jacket Condition: No Jacket

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Margolis, Joseph
Published by Columbia University Press, 2010
ISBN 10: 0231147287 ISBN 13: 9780231147286
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Margolis, Joseph
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ISBN 10: 0231147287 ISBN 13: 9780231147286
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Margolis, Joseph
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Condition: New. &Uumlber den AutorJoseph Margolis is Laura H. Carnell Professor of Philosophy at Temple University and has just completed the third of a trio of books surveying American philosophy in the second half of the twentieth century. He is also. Seller Inventory # 594458583

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Hardback. Condition: New. Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noel Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves.Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art. Seller Inventory # LU-9780231147286

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Buch. Condition: Neu. Neuware - Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture How do these realms relate The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noël Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art. Seller Inventory # 9780231147286

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Published by Columbia University Press, US, 2010
ISBN 10: 0231147287 ISBN 13: 9780231147286
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Hardback. Condition: New. Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noel Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves.Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art. Seller Inventory # LU-9780231147286

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