Title: Critical Companion to Native American and First Nations Theatre and Performance: Indigenous Spaces
Publisher: Methuen Drama
Publication Date: 2020
Language: English
ISBN 10: 1350035416
ISBN 13: 9781350035416
Binding: Soft cover
Condition: New

About this title

Synopsis

This foundational study offers readers an accessible introduction to Native American and First Nations Theatre drawing on Native critical and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations Theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through their visionary styles of dramaturgy and performance. It begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations Drama. It then provides an overview of Native plays and theatre artists from across the century. Finally, it points forward to the the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Critical Companion to Native American and First Nations Theatre and Performance provides undergraduate and graduate students with an overview of historical and contemporary Native American and First Nations Drama by exploring how traditional and current Native performance practice is a dynamic art form that advances human rights. To address the complexities of this dynamic field, the volume offers critical grounding in the historical development of Native Theatre in North America and also analyzes key Native plays and performance traditions from the mainland United States and from Canada. In surveying Native Theatre from the 1920's until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Native peoples. This book frames the major themes of the genre, and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.

About the Author

Jaye T. Darby is a lecturer in the Graduate School of Education and Information Studies at the University of California, Los Angeles, USA. With Geiogamah, she co-edited American Indian Performing Arts: Critical Directions and two other volumes on Native performance. She is also co-editor of the collection Keepers of the Morning Star: An Anthology of Native Women's Theater with Stephanie Fitzgerald. Courtney Elkin Mohler is an Assistant Professor in the American Studies Program at Indiana University-Purdue University Indianapolis, USA. Christy Stanlake is a Professor of English at the United States Naval Academy, USA. her publications include Native American Drama: A Critical Perspective (2009).

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