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This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space.Paying attention to academic gaps in comics' scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou's Manga Adaptations of H.P. Lovecraft), as well as the United States.One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre. Seller Inventory # LU-9781032199443
This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space.
Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States.
One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.
About the Author:
John Darowski is a PhD candidate in Comparative Humanities at the University of Louisville, USA. He has edited an essay collection on Superman adaptations (2021) and has published several essays on the history of superheroes.
Fernando Gabriel Pagnoni Berns (PhD) works at the Universidad de Buenos Aires (UBA), Argentina. He teaches courses on international horror films and has authored a book about Spanish horror TV series Historias para no Dormir (2019) and has edited a book on James Wan's films.
Title: Critical Approaches to Horror Comic Books
Publisher: Taylor and Francis Ltd, GB
Publication Date: 2024
Binding: Paperback
Condition: New
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. John Darowski is a PhD candidate in Comparative Humanities at the University of Louisville, USA. He has edited an essay collection on Superman adaptations (2021) and has published several essays on the history of superheroes. Seller Inventory # 1721047893
Quantity: Over 20 available
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space.Paying attention to academic gaps in comics' scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou's Manga Adaptations of H.P. Lovecraft), as well as the United States.One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre. 270 pp. Englisch. Seller Inventory # 9781032199443
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Critical Approaches to Horror Comic Books | Red Ink in the Gutter | John Darowski (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032199443 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. Seller Inventory # 129610487
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 47911938-n
Quantity: 10 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Other book format. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781032199443
Quantity: 1 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 47911938
Quantity: 10 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 47911938
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Seller Inventory # 398846354
Quantity: 3 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space.Paying attention to academic gaps in comics' scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou's Manga Adaptations of H.P. Lovecraft), as well as the United States.One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre. Seller Inventory # 9781032199443
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 47911938-n