Copeau/Decroux, Irving/Craig
Language: English
Published by Routledge Jan 2024, 2024
Series: Book 132 of 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
- New
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
AbeBooks seller since January 11, 2012
Condition: New
£ 48.68
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Add to basketItem description from seller
This item is printed on demand - it takes 3-4 days longer - Neuware -In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux's artistic genealogy. After four years' apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux's project. Decades of digging revealed striking correspondences that often led to adjacent fields-art history, philosophy, and anthropology-forays wherein Leabhart's appreciation of Decroux and his 'kinsfolk,' who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll's sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux's 'family tree'; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux's debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies. 186 pp. Englisch.…
Seller Inventory # 9781032071916
- Title
- Copeau/Decroux, Irving/Craig
- Author
- Thomas Leabhart
- Publisher
- Routledge Jan 2024
- Publication year
- 2024
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 1032071915
- ISBN 13
- 9781032071916
- Item weight
- 292 grams
- Dimensions
- 234x156x10 mm
- Series
- Book 132 of 256: Routledge Advances in Theatre & Performance Studies
In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy.
After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields―art history, philosophy, and anthropology―forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks.
These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.
"Synopsis" may belong to another edition of this title.
About the Author
Thomas Leabhart, Professor of Theatre at Pomona College, California, worked with Etienne Decroux from 1968–72. He authored Modern and Post-Modern Mime (Macmillan, 1989), Etienne Decroux (Routledge, 2019) and co-edited (with Franc Chamberlain) The Decroux Sourcebook (Routledge, 2008). Leabhart edits Mime Journal, and for a decade participated as Artistic Staff at Eugenio Barba's ISTA meetings.
"About the title" may belong to another edition of this title.
BuchWeltWeit Ludwig Meier e.K.
Bergisch Gladbach, Germany
AbeBooks seller since January 11, 2012
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