Contemporary Absurdities, Existential Crises, and Visual Art
Language: English
Published by Intellect Okt 2024, 2024
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Add to basketItem description from seller
Neuware - An investigation of the absurd as a condition of, a tactic for, and a subject in the contemporary. The absurd is a lens on the disturbances of our moment and a challenge to the propositions about and solutions for the world. The absurd shakes off the paralysis that what we know must be the only thing we (re)produce. Those willing to recognize that truth and confront it, rather than flee from it, are thereby introduced to the political writ large. Critical art allows the absurd a space within which audiences can observe their own tendencies and assumptions. The absurd in art reveals our inculcation into hegemonic belief structures and the necessity to question the systems to which we subscribe. Today we see the absurd in memes, performative politics, and art, expressing the confusion and disorientation wrought by the endless, emerging crises of our 24/7 relations. This edited collection, featuring contributions by well-known artists and scholars, adopts ideas and practices associated with the absurd to explain how the contemporary moment is absurd and how absurdity is a useful, potentially radical tool within the contemporary.…
Seller Inventory # 9781789389067
- Title
- Contemporary Absurdities, Existential Crises, and Visual Art
- Author
- Charlotte Kent
- Publisher
- Intellect Okt 2024
- Publication year
- 2024
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 1789389062
- ISBN 13
- 9781789389067
- Item weight
- 660 grams
- Dimensions
- 247x174x20 mm
Some have called this an age of absurdity, and as such Contemporary Absurdities, Existential Crises, and Visual Art presents the contributions of artists, theorists, and scholars whose words and works investigate the absurd as a condition of, a tactic for, and a subject in the contemporary.
The absurd is a lens on the disturbances of our moment and a challenge to the propositions about and solutions for the world. The absurd shakes off the paralysis that what we know must be the only thing we (re)produce. Those willing to recognize that and confront it, rather than flee from it, are thereby introduced to the political writ large.
This edited collection adopts ideas and practices associated with the absurd to explain how the contemporary moment is absurd and how absurdity is a useful, potentially radical tool within the contemporary.
Critical art allows the absurd a space within which audiences can observe their own tendencies and assumptions. The absurd in art reveals our inculcation into hegemonic belief structures and the necessity to question the systems to which we subscribe. Today we see the absurd in memes, performative politics, and art, expressing the confusion and disorientation wrought by the endless, emerging crises of our 24/7 relations.
"Synopsis" may belong to another edition of this title.
About the Author
Katherine Guinness is a theorist and historian of contemporary art. She is assistant professor of critical studies in the Department of Art at the University of Maryland, College Park and is the author of the first academic monograph on German artist Rosemarie Trockel, Schizogenesis (University of Minnesota Press, 2019). She is a guest editor for Art Journal Open and is co-author of The Influencer Factory: A Marxist Theory of Corporate Personhood on YouTube (Stanford University Press, 2024).
Contact: Department of Art/1211-E Art/Sociology Building/3834 Campus Dr. College Park, MD 20742, USA.
"About the title" may belong to another edition of this title.
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