Contagion and the Shakespearean Stage
Language: English
Published by Springer, 2019
Series: Book 31 of 57 - Palgrave Studies in Literature, Science and Medicine
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
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Druck auf Anfrage Neuware - Printed after ordering - This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory.In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency.Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease.Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions.The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself. …
Seller Inventory # 9783030144272
- Title
- Contagion and the Shakespearean Stage
- Author
- Darryl Chalk
- Publisher
- Springer
- Publication year
- 2019
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 3030144275
- ISBN 13
- 9783030144272
- Item weight
- 508 grams
- Dimensions
- 216x153x21 mm
- Series
- Book 31 of 57: Palgrave Studies in Literature, Science and Medicine
This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.
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