Constructivism in Film - A Cinematic Analysis: The Man with the Movie Camera. This item is unavailable.
Petri; Petric, Vlada; Petriac, Vlada
10 ratings by Goodreads
Language: English
Published by Cambridge University Press, 2011
- Softcover
- Used
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
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Unavailable
Softcover
Condition: Used - Very good
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Item description from seller
Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G0521137888I4N10
- Title
- Constructivism in Film - A Cinematic Analysis: The Man with the Movie Camera
- Author
- Petri; Petric, Vlada; Petriac, Vlada
- Publisher
- Cambridge University Press
- Publication year
- 2011
- Condition
- Very Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0521137888
- ISBN 13
- 9780521137881
- Item weight
- 1.15 pounds
This book examines the radical experiments of early Soviet filmmakers, with a detailed analysis of The Man with the Movie Camera (1929).
"Synopsis" may belong to another edition of this title.
Review
Review of the hardback: 'The publication of Vlada Petrić's Constructivism in Film ... is a long-awaited and important moment in film criticism ... after decades in which Vertov's concepts of cinema have been insufficiently researched and often misrepresented, English-speaking readers and lovers of film as an art form have two important opportunities: (1) to obtain information directly from the source and (2) to understand Vertov's expansive achievement and its theoretical basis. At last there is much to read, seriously consider, and appreciate.' Journal of Film and Video
Review of the hardback: 'In this remarkable book, Vlada Petrić explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's The Man with the Movie Camera ... it is difficult to imagine a better or more complete formal analysis of a single movie, or a book that teaches us more about the 'cinematic way of seeing', than Constructivism in Film'. The Russian Review
Review of the hardback: 'In this remarkable book, Vlada Petrić explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's The Man with the Movie Camera ... it is difficult to imagine a better or more complete formal analysis of a single movie, or a book that teaches us more about the 'cinematic way of seeing', than Constructivism in Film'. The Russian Review
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