Constraint Programming in Music
Language: English
Published by Wiley Mai 2011, 2011
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Add to basketItem description from seller
Neuware - Constraint programming (CP) is a declarative programming paradigm with many academic and industrial applications (from n-queens to planning, vehicle routing, and optimization, among other fields). Music composition has been one of these applications since the earliest works on automatic harmonization, and it remains a very special and challenging one due to its artistic (and highly subjective) nature. The early works on CP in music were limited to classical music composition, as the harmonization and counterpoint rules naturally translate into constraints. However, when contemporary composers began to be interested in constraints, CP became an essential tool in computer-assisted composition systems. As several contemporary musical pieces have now been composed 'with constraints', it is reasonable to ask why CP applies so naturally to music, and what the particular features of musical problems are. This book presents information about recently developed musical CP systems from both the scientist's and composer's point-of-view. It will therefore be of interest to students and researchers of music technology, composers in the computer music scene, and music software companies-especially those trying to model high level musical behaviors (i.e., intelligent arpeggiation/arrangement on synthesizers, 'Band in a Box' software, etc.), perform music data mining, and execute music taste engineering for online music delivery.…
Seller Inventory # 9781848212886
- Title
- Constraint Programming in Music
- Author
- Charlotte Truchet
- Publisher
- Wiley Mai 2011
- Publication year
- 2011
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 1848212887
- ISBN 13
- 9781848212886
- Item weight
- 606 grams
- Dimensions
- 241x162x27 mm
This book presents information about recently developed musical CP systems from both the scientist's and composer's point-of-view. It will therefore be of interest to students and researchers of music technology, composers in the computer music scene, and music software companies-especially those trying to model high level musical behaviors (i.e., intelligent arpeggiation/arrangement on synthesizers, "Band in a Box" software, etc.), perform music data mining, and execute music taste engineering for online music delivery.
"Synopsis" may belong to another edition of this title.
About the Author
Charlotte Truchet is an assistant professor at Nantes University in France. While she was earning her PhD, she worked on musical constraints in collaboration with contemporary composers at IRCAM/University of Paris 6.
Gérard Assayag is head of the IRCAM-CNRS lab "Sciences and Technologies for Music and Sound" and a co-author of Open Music Computer-Assisted Composition software.
"About the title" may belong to another edition of this title.
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