The Complete Poems of Hart Crane (Centennial Edition)

Hart Crane

ISBN 10: 0871401789 / ISBN 13: 9780871401786

Published by Liveright, 2001

About this Item

2001. Centennial Ed. Paperback. "Crane's poetry has been a touchstone for me, and remains central to a fully imaginative understanding of American literature."-Harold Bloom Editor(s): Simon, Marc V. Num Pages: 304 pages. BIC Classification: 1KBB; 2ABM; DCF; DSBH; DSC. Category: (G) General (US: Trade). Dimension: 208 x 142 x 23. Weight in Grams: 274. . . . . . Seller Inventory # V9780871401786

Bibliographic Details

Title: The Complete Poems of Hart Crane (Centennial...

Publisher: Liveright

Publication Date: 2001

Binding: Soft cover

Condition: New

About this title

Synopsis:

This edition features a new introduction by Harold Bloom as a centenary tribute to the visionary of White Buildings (1926) and The Bridge (1930). Hart Crane, prodigiously gifted and tragically doom-eager, was the American peer of Shelley, Rimbaud, and Lorca. Born in Garrettsville, Ohio, on July 21, 1899, Crane died at sea on April 27, 1932, an apparent suicide. A born poet, totally devoted to his art, Crane suffered his warring parents as well as long periods of a hand-to-mouth existence. He suffered also from his honesty as a homosexual poet and lover during a period in American life unsympathetic to his sexual orientation. Despite much critical misunderstanding and neglect, in his own time and in ours, Crane achieved a superb poetic style, idiosyncratic yet central to American tradition. His visionary epic, The Bridge, is the most ambitious and accomplished long poem since Walt Whitman's Song of Myself. Marc Simon's text is accepted as the most authoritative presentation of Hart Crane's work available to us. For this centennial edition, Harold Bloom, who was introduced to poetry by falling in love with Crane's work while still a child, has contributed a new introduction.

About the Author:

The Sterling Professor of Humanities at Yale University, Harold Bloom (b. 1930) has been hailed as “one of our greatest living literary critics” (Los Angeles Times).