The Color of a Flea's Eye: The Picture Collection
Language: English
Published by Editions 'Cahiers d'art', Paris, 2020
- Hardcover
- Used
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
AbeBooks seller since February 4, 1997
Condition: Used - Very good
£ 115.27
Quantity: 1 available
Add to basketItem description from seller
Dark green leatherbound book with yellow text on the spine. The end pages are a heavy green fabric. Profusely illustrated with color tipped-in plates and many foldout displays. There are also black-and-white printed images. Pages focused on text are a pretty light green. "Taryn Simon's 'The Color of a Flea's Eye' presents a history of the New York Public Library's Picture Collection -- a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals. Since its inception in 1915, the Picture Collection has been a vital resource for writers, historians, artists, filmmakers, fashion designers and advertising agencies. In her work The Picture Collection (2012-20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon's photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history -- its classifications, its contents -- seems the stuff of projection. Simon spent years sifting through letters, memos and records that reveal an untold story between the library and artists, media, government and a broader public. These documents also divulge the removal and transfer of photographs from the democratically circulating picture-collection folders to the photography collection in the late 1980s when their marketplace value became apparent. Simon's selection of photographs from these transfers highlights gender, immigration, race and economy in America alongside the technical development of photography.".…
Seller Inventory # 205262
- Title
- The Color of a Flea's Eye: The Picture Collection
- Author
- Simon, Taryn
- Publisher
- Editions 'Cahiers d'art', Paris
- Publication year
- 2020
- Condition
- VG+
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 2851173146
- ISBN 13
- 9782851173140
- Seller catalogs
- Photography
In her work The Picture Collection (2012–20), Simon highlighted the impulse to organise visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon’s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Moustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history―its classifications, its contents―seems the stuff of projection.
Simon spent years sifting through letters, memos and records that reveal an untold story between the library and artists, media, government and a broader public. These documents also divulge the removal and transfer of photographs from the democratically circulating picture collection folders to the photography collection in the late 1980s when their marketplace value became apparent. Simon’s selection of photographs from these transfers highlights gender, immigration, race and economy in America alongside the technical development of photography.
"Synopsis" may belong to another edition of this title.
From the Back Cover
In her work The Picture Collection (2012–20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon’s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history―its classifications, its contents―seems the stuff of projection.
Simon spent years sifting through letters, memos and records that reveal an untold story between the library and artists, media, government and a broader public. These documents also divulge the removal and transfer of photographs from the democratically circulating picture collection folders to the photography collection in the late 1980s when their marketplace value became apparent. Simon’s selection of photographs from these transfers highlights gender, immigration, race and economy in America alongside the technical development of photography. Produced in direct collaboration with the artist, the book contains 57 individually hand tipped–in plates, numerous gatefolds and a variety of unique papers, as well as essays by Joshua Chuang and Tim Griffin.
"About the title" may belong to another edition of this title.
Mullen Books, ABAA
Marietta, PA, U.S.A.
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Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include the Humanities, with an emphasis on Art, Architecture, Photography, Decorative Arts, History, as well as Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000' of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books almost everywhere, with the exception of China due to restrictions. Our website mullenbooks.com maintains our entire database of over 150,000 titles dynamically, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool. Despite what Google may indicate, we are only open to visitors by appointment, as our schedules are dynamic depending upon the needs of our valued employees.…
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Exhibition catalogues, Misc. art, History, American Art, European Art, Art, art theory and criticism, Photography, art technique and instructional books, art periodicalsAssociation member
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Mullen Books, Inc.
121-123 Walnut Street
Columbia, PA U.S.A. 17512
Terms of sale
Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include Art, Architecture, Photography, Decorative Arts, History, Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000 feet of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books everywhere. Our website mullenbooks.com maintains our entire database of ovber 151,000 titles dynamcially, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool.
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