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Title: Collected Letters from Mr. Mori, 100 Postcards Author: Mr. Mori, Foreign Affairs: Perfect Publication time: 1985 Edition: Soft Cover Publisher: Bunkyo District Board of Education Printing time: 1996-07 Stamp: 3 Number of pages: 112 Page size: 29.7 x 21 cm 156 Description: A collection of materials on modern Japanese literary master Morinagai calligraphy. Tame Memorial 130th anniversary of the birth of Mr. Mori Gai-sensei, Birthplace: Tsuwano-cho, Shimane Prefecture, Tame No. 1 Station, Mori Gai-sensei Exhibition, Exhibit finished Related materials. 1000 ryo Cho Mingshin Katachu has been selected for 1,000 ryo, which is a collection of 1,000 ryo, which is a rare material that has not been published until now. Non-standard material. 3550.6cm Sara no Ki Seimi's special book page (see details at the end), which is rare. Original Japanese version. Mori Sogai (February 17, 1862 July 19, 1922) was born in Tsuwano, Shimane Prefecture. Japanese doctor, pharmacist, novelist, critic, translator. Zheng Yi Tak Kokugaku, Shen Xu Hong Hua, the influence of Hachiman's idealism, the formation of Hachiman's aesthetic thought, and other future engagement literary creative theory, Written by Yu Maihime Abe family, etc. Mori Soseki is a representative figure of romanticism in Japanese literature after the Meiji Restoration in the early 19th century. Target two perfect. Masahiro Mori emphasized that truth, goodness, and beauty in terms of literary philosophies are existentially discriminatory, and beauty is a factual imitation, and that is why transcendental factual thoughts (aesthetic ideals) are a proof of transcendental value. Literature is the value of creation. It is the theory, the literary beauty has its own meaning and value, the good and the beauty are divided, and it is based on the aesthetic standard work criticism. During his 30-year literary life, he wrote literary works including novels, poetry and drama, literary critiques, and translated East-West literature. A new style of Western literature, harmony of exoticism, new democratic vitality injected into the Japanese literary world at the time, and a new look for readers.
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