The Collected Essays and Criticism, Volume 2: Arrogant Purpose, 1945-1949
Language: English
Published by The University of Chicago Press, 1988
- Softcover
- Used
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Clement Greenberg (1909-1994), champion of abstract expressionism and modernism--of Pollock, Mir , and Matisse--has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Seller Inventory # CIN0226306224A
- Title
- The Collected Essays and Criticism, Volume 2: Arrogant Purpose, 1945-1949
- Author
- Clement Greenberg
- Publisher
- The University of Chicago Press
- Publication year
- 1988
- Condition
- Fair
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0226306224
- ISBN 13
- 9780226306223
- Series
- Book 2 of 4: Collected Essays and Criticism
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
"Synopsis" may belong to another edition of this title.
About the Author
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for The Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
John O'Brian is professor of art history at the University of British Colombia.
"About the title" may belong to another edition of this title.
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